Para Bellum by Testament

Testament Para Bellum

76
ChoruScore Critic consensus / 100

Released Oct 10, 2025 Nuclear Blast

Established consensus 5 professional reviews Updated Sep 4, 2026

Broadly positive consensus

Testament's Para Bellum lands as a reinvigorated statement from one of thrash's elder statesmen, earning praise for its technical ferocity and darker, genre-hopping ambitions.

How ChoruScore works

Critics' Top Tracks

The songs critics returned to most

01

Infanticide A.I.

4 critic mentions

“Infanticide A.I.” keeps the blackened elements for a raging thrasher that borders on grind at times” — Angry Metal Guy
02

Para Bellum

4 critic mentions

“and the title track’s caustic, convoluted grandeur, Para Bellum is vital, violent and stupidly exciting.” — Classic Rock Magazine
03

Room 117

3 critic mentions

“Starting with “Room 117,” Testament lock into a late-album groove with slick, memorable writing” — Angry Metal Guy
Full critic consensus

Testament's Para Bellum lands as a reinvigorated statement from one of thrash's elder statesmen, earning praise for its technical ferocity and darker, genre-hopping ambitions. Across five professional reviews the record compiled a 76/100 consensus score, with critics repeatedly pointing to powerhouse cuts such as “Infanticide A.I.”, “Para Bellum” and “For the Love of Pain” as the collection's clearest victories.

Critics consistently celebrate the band's veteran musicianship and willingness to lean into death and blackened influences while retaining thrash fundamentals. Reviewers highlight “Infanticide A.I.” and “For the Love of Pain” for blistering speed, brutal drum work and razor solos, while the title track “Para Bellum” earns notice as an emphatic closer. Several critics also praise the smart groove of “Room 117” and the experimental textures of “Shadow People” as examples of Testament's adventurous streak.

That said, the professional reviews balance admiration with caveats: sequencing feels uneven to some and a few softer moments - notably the orchestral ballad “Meant To Be” - register as jolting shifts in tone. Overall the critical consensus suggests Para Bellum is a strong, often thrilling return that showcases both aging-band vitality and bold experimentation, making it worth seeking out for fans curious about the best songs on Para Bellum and the band's renewed heft.

Below, the detailed reviews unpack where the record's high points and missteps sit within Testament's catalogue and contemporary thrash revival.

Track Ratings

How critics rated each track, relative to this album (0-100). Only tracks that made critics feel something are rated.

View:
1

For the Love of Pain

4 mentions
99
05:34
2

Infanticide A.I.

4 mentions
100
03:27
3

Shadow People

4 mentions
77
05:45
4

Meant to Be

4 mentions
52
07:33
5

High Noon

4 mentions
47
03:52
6

Witch Hunt

3 mentions
52
04:16
7

Nature of the Beast

4 mentions
—
04:28
8

Room 117

3 mentions
100
04:18
9

Havana Syndrome

4 mentions
76
04:40
10

Para Bellum

4 mentions
100
06:30

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What Critics Are Saying

Deep insights from 5 critics who reviewed this album

Critic's Take

Testament sound more vital than ever on Para Bellum, and the review makes clear which are the best songs on Para Bellum: opener “For the Love of Pain” and the single “Infanticide A.I.” lead the charge. Dom Lawson writes in muscular, exuberant sentences that celebrate ferocity, noting the brutal drum fills and black metal textures that make “For the Love of Pain” feel like a five-and-a-half-minute eruption. He praises “Infanticide A.I.” as an even better, high-velocity juggernaut with breathtaking solos, while singling out the elegiac contrast of “Meant to Be” as an orchestral ballad that shows the band’s range. The result reads like a triumphant verdict on Testament’s growth - vital, violent and stupidly exciting.

Key Points

  • Opener “For the Love of Pain” is best for its frantic drums, black metal textures and explosive five-and-a-half-minute fury.
  • The album’s core strength is pairing ferocious thrash intensity with melodic solos and moments of orchestral contrast.

Themes

aging band vitality thrash fundamentals with modern creativity extreme heaviness technical solos

Bl

Blabbermouth

Unknown
Unknown date
90

Critic's Take

Testament's Para Bellum feels like a monstrous, career-raising statement, with tracks such as “For the Love of Pain” and “Infanticide A.I.” leading the charge. The reviewer revels in the album's darker, more imaginative thrust, praising the band's embrace of death and black metal textures while keeping classic thrash clangor intact. For readers asking about the best tracks on Para Bellum, the review singles out the opening pair and the title track as the high-water marks of Testament's reinvigorated sound.

Key Points

  • The opening tracks, especially "For the Love of Pain" and "Infanticide A.I.", set the album's brutal, reinvigorated tone and are highlighted as the best.
  • Para Bellum's core strengths are its heavier, imaginative push into death/black metal textures, Chuck Billy's expanded vocals, and the band's renewed ferocity and songwriting.

Themes

thrash revival heavier/death and black metal influence veteran-band resurgence powerful vocals technical ferocity

An

Angry Metal Guy

Unknown
Oct 9, 2025
60

Critic's Take

I’ll always have a soft spot for Testament, and on Para Bellum the best songs - notably “Room 117” and “Havana Syndrome” - find the band locked into memorable hooks and classic-metal leads. The reviewer praises the late-album groove of “Room 117” as a smart blend of vintage Testament and classic metal, and calls “Havana Syndrome” even better for hitting a sweet spot between classic Testament and 80s metal. While tracks like “Infanticide A.I.” and the title “Para Bellum” show ferocity and adventurous blackened touches, the album’s genre-hopping makes it feel slightly incohesive at times. Overall, the wins outnumber the losses, with standout late tracks giving the best songs on Para Bellum real staying power.

Key Points

  • The best song is “Room 117” because its late-album groove, chorus, and guitar moments stick and recall Testament at their memorable best.
  • The album’s core strengths are veteran musicianship and adventurous blending of thrash, blackened elements, and classic metal, yielding more wins than losses.

Themes

thrash revival blackened influence genre-hopping veteran musicianship

Critic's Take

In a typically frank tone the reviewer argues that Testament deliver their strongest record since 2008 with Para Bellum, yet it remains uneven. They single out “Para Bellum” as an exceptional closing statement and call “Infanticide A.I.” a ball-breaker, while lamenting the soporific interruption of “Meant To Be”. The voice is part admiration, part impatience - praising pit-igniting monsters and experimental wins like “Shadow People” and “Room 117”, but noting missteps that hold the album back. Overall the review answers searches for best songs on Para Bellum by championing the title track and the single as the album highlights.

Key Points

  • The title track is best because the reviewer calls it "exceptional" and the album closer that redeems the record.
  • The album’s core strengths are aggressive opening tracks and occasional successful experimentation, offset by ill-placed balladry and uneven middle tracks.

Themes

thrash revival uneven sequencing experimentation death metal influences ballad weakness