The Charlatans UK We Are Love
The Charlatans UK's We Are Love greets their catalogue with a sunlit ache, marrying nostalgia reframed and themes of love and loss into melodic anthems that feel both familiar and renewed. Across six professional reviews the record earned a 72/100 consensus score, and critics consistently point to the title track “We A
For The Girls is the best song because it blends nostalgia and era-spanning elements into a powerful, wistful highlight.
Critics praised midtempo highlights such as “Many A Day A Heartache” and “Now Everything” for their warm production and singalong hooks, and singled out cinematic moments like “You
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Full consensus notes
The Charlatans UK's We Are Love greets their catalogue with a sunlit ache, marrying nostalgia reframed and themes of love and loss into melodic anthems that feel both familiar and renewed. Across six professional reviews the record earned a 72/100 consensus score, and critics consistently point to the title track “We Are Love” and opener “Kingdom Of Ours” as emotional touchstones that set the album's tone of elegiac euphoria.
Reviewers note that the band's reinvention leans on keyboard-driven sound and 90s influences while exploring grief, mourning, and renewal. Critics praised midtempo highlights such as “Many A Day A Heartache” and “Now Everything” for their warm production and singalong hooks, and singled out cinematic moments like “You Can't Push The River” and the psych-tinged “Glad You Grabbed Me” for expanding the group's palette. Professional reviews from Beats Per Minute, Record Collector, AllMusic, Clash, and PopMatters converge on the idea that the best songs on We Are Love balance immediacy with subtle experimentation.
While some critics flagged buried mixes or cautious stretches, the consensus suggests a record worth revisiting for its continuity and reinvigoration of the band's legacy. For readers asking "is We Are Love good" and "what are the best songs on We Are Love", the collective verdict points to its title track, opener, and soulful midtempo cuts as the album's standout moments, positioning the collection as a resonant, forward-looking chapter in The Charlatans UK's catalog.
Critics' Top Tracks
The standout songs that made critics take notice
We Are Love
4 mentions
"The first single, “We Are Love”, foregrounds intricate guitarwork"— PopMatters
Now Everything
3 mentions
"the album-ending "Everything Now" -- have an emotional depth that feels earned"— AllMusic
Many A Day A Heartache
3 mentions
"songs like "For the Girls" and "Many a Day a Heartache" that come across like best-case scenarios"— AllMusic
The first single, “We Are Love”, foregrounds intricate guitarwork
Track Ratings
How critics rated each track, relative to this album (0-100). Only tracks that made critics feel something are rated.
Kingdom Of Ours
We Are Love
Many A Day A Heartache
For The Girls
You Can't Push The River
Deeper And Deeper
Appetite
Salt Water
Out On Our Own
Glad You Grabbed Me
Now Everything
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What Critics Are Saying
Deep insights from 6 critics who reviewed this album
Critic's Take
The Charlatans' We Are Love finds its best moments in songs like "For the Girls" and "Many a Day a Heartache," where sepia-toned nostalgia and midtempo grooves meet. Burgess croons with everyman simplicity, and the warm, layered production by Dev Hynes, Stephen Street, and Fred MacPherson lifts these tracks into near-greatness.
Key Points
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For The Girls is the best song because it blends nostalgia and era-spanning elements into a powerful, wistful highlight.
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The album's core strengths are warm, layered production and Burgess's everyman croon delivering earned emotional depth.
Themes
Critic's Take
Emma Harrison finds the best tracks on We Are Love in the title track and the closing kaleidoscopic 'Now Everything', praising the soaring, otherworldly title track and the Beatles-esque sweep of 'Now Everything'. She highlights 'You Can’t Push the River' for its sweeping, cinematic beauty and singles out 'Glad You Grabbed Me' as psychedelic-tinged pop and a heartfelt tribute to love’s transformation. The review frames these best songs as evidence that The Charlatans embrace their legacy while moving it forward, making We Are Love an expansive, euphoric experience.
Key Points
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The title track is best for its soaring, otherworldly production and thunderous drums.
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The album's core strengths are its blend of euphoric expansiveness and respectful reinvention of the band's legacy.
Themes
Critic's Take
Patrick Gill finds the best songs on We Are Love in its opening and single moments, singling out "Kingdom of Ours" and the title track "We Are Love" for their emotional heft and deft guitarwork. He praises the album for rediscovering the grooves of the 1990s, with “Many a Day a Heartache” and “Deeper and Deeper” standing out for vivid keyboards and evocative lyricism. Gill writes in a measured, affectionate voice that frames these tracks as both tributes and forward steps, arguing they make this the Charlatans' most cohesive effort this century. For listeners asking which are the best tracks on We Are Love, he points to the single and opener as the record's clear highlights.
Key Points
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The opener "Kingdom of Ours" is best for its emotional connection to past tragedy and spectral presence.
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The album's core strengths are its 90s-rooted grooves, strong keyboard work, and a cohesive, reinvigorated band sound.
Themes
Critic's Take
Grief and love braid through We Are Love with a pragmatic, often euphoric clarity; the title track We Are Love and the follow-up Many A Day A Heartache stand out as the record's revitalising moments, full of pop hooks and renewed purpose. The opener Kingdom Of Ours sets the tone - not maudlin but celebratory - even as the mix buries some organs that should sing louder. Out On Our Own evolves into a heady climax that rewards patience, while Glad You Grabbed Me and Now Everything supply the album's most heart-on-sleeve moments. Overall, We Are Love feels like a welcome return to form, an album that finds joy inside loss and gives the band fresh momentum.
Key Points
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We Are Love’s title track is best for its pop hook and sense of reinvigoration.
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The album’s core strength is finding joy and renewed purpose inside themes of grief and nostalgia.
Themes
Re
Critic's Take
The Charlatans UK have produced a record that feels like familiar territory on We Are Love, and the review singles out the title track as the clearest best song, its galloping rhythm and soaring Tim Burgess vocal making “We Are Love” an obvious standout. The writer also highlights brisk indie anthems like “For The Girls” and “Deeper And Deeper” as among the best tracks on We Are Love, concise songs that would sit comfortably alongside their hits. There is praise for mellower experiments too, from the desert-country of “You Can't Push The River” to the psychtronica swirl of “Out On Our Own”, which together explain why the best songs on We Are Love are both immediate and exploratory.
Key Points
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The title track “We Are Love” is best for its galloping rhythm and soaring Tim Burgess vocal.
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The album’s core strengths are concise anthems and a willingness to explore mellower, genre-spanning sounds.