The Cure Mixes Of A Lost World
Consensus is still forming across 3 professional reviews. The Cure's Mixes Of A Lost World re-presents familiar dread as danceable drama, a charitable remix collection that splinters the band's late-period songs into new textures and moods. Across three professional reviews the record earned a 55/100 consensus score, and critics agree it contains vivid highs alongside uneven
The album’s core strength is its ability to transform melancholic originals into sprightly, effective dancefloor reinterpretations while preserving emotional power.
Across three professional reviews the record earned a 55/100 consensus score, and critics agree it contains vivid highs alongside uneven stretches - enough material for playlists o
Best for listeners looking for remixing and reinterpretation and melancholy transformed into danceable forms, starting with I Can Never Say Goodbye - Paul Oakenfold "Cinematic" Remix and Warsong - Chino Moreno Remix.
Full consensus notes
The Cure's Mixes Of A Lost World re-presents familiar dread as danceable drama, a charitable remix collection that splinters the band's late-period songs into new textures and moods. Across three professional reviews the record earned a 55/100 consensus score, and critics agree it contains vivid highs alongside uneven stretches - enough material for playlists of standout reinterpretations rather than a seamless successor to Songs of a Lost World.
Reviewers consistently praise Paul Oakenfold's “I Can Never Say Goodbye - Paul Oakenfold \"Cinematic\" Remix” as the album's centerpiece, noting its trailer-ready sweep and orchestral heft. Four Tet's “Alone - Four Tet Remix” and Mogwai's “Endsong - Mogwai Remix” are frequently singled out for transforming gloom into melancholic vibrancy, while Chino Moreno's “Warsong - Chino Moreno Remix” and Trentemøller's rework of “And Nothing Is Forever - Trentemøller Rework” show how remix reinterpretation can either amplify the original vocals or recast them as distant, foreboding motifs. Critics praise moments where dance-music textures meet the Cure's mortality-themed lyricism, celebrating remixes that genuinely reimagine the source material.
At the same time reviewers note remix variability: some pieces feel creatively liberating, others merely extend familiar moods without adding clarity. Across professional reviews the consensus suggests the collection is patchy but rewarding - a charitable companion piece that highlights the resilience of the original songs when pushed into club-ready or post-rock territories. For listeners wondering "is Mixes Of A Lost World good," the quick verdict is nuanced - not essential in album form, but worth mining for the best songs on the record and for the standout remixes that reframe the Cure's late-period material.
Below, the detailed reviews unpack where the compilation succeeds and where it falters, guiding you to the tracks most praised by critics.
Critics' Top Tracks
The standout songs that made critics take notice
I Can Never Say Goodbye - Paul Oakenfold "Cinematic" Remix
3 mentions
"Notable highlights are the ones that dramatise the original or heighten that sweet spot where the familiar foreboding comes to the shore, like Paul Oakenfold’s ‘Cinematic’ Remix of ‘I Can Never Say Goodbye"— Far Out Magazine
Warsong - Chino Moreno Remix
1 mention
"Perhaps the star here is actually Deftones’ Chino Moreno’s take on ‘Warsong’, not just because of how much darker his composition makes the track feel but also because its added rhythmic cadences and pulsating notes drill in the meaningful urgency"— Far Out Magazine
Alone - Four Tet Remix
2 mentions
"the likes of Paul Oakenfold, Orbital, Four Tet, and Sally C pushing the original album’s eight monochrome tracks into vibrant new territory."— Clash Music
Notable highlights are the ones that dramatise the original or heighten that sweet spot where the familiar foreboding comes to the shore, like Paul Oakenfold’s ‘Cinematic’ Remix of ‘I Can Never Say Goodbye
Track Ratings
How critics rated each track, relative to this album (0-100). Only tracks that made critics feel something are rated.
I Can Never Say Goodbye - Paul Oakenfold "Cinematic" Remix
Endsong - Orbital Remix
Drone:Nodrone - Daniel Avery Remix
All I Ever Am - meera remix
A Fragile Thing - Âme Remix
And Nothing Is Forever - Danny Briottet & Rico Conning Remix
Warsong - Daybreakers Remix
Alone - Four Tet Remix
I Can Never Say Goodbye - Mental Overdrive Remix
And Nothing Is Forever - Cosmodelica Electrick Eden Remix
A Fragile Thing - Sally C Remix
Endsong - Gregor Tresher Remix
Warsong - Omid 16B Remix
Drone:Nodrone - Anja Schneider Remix
Alone - Shanti Celeste "February Blues" Remix
All I Ever Am - Mura Masa Remix
I Can Never Say Goodbye - Craven Faults Rework
Drone:Nodrone - JOYCUT "Anti-Gravitational" Remix
And Nothing Is Forever - Trentemøller Rework
Warsong - Chino Moreno Remix
Alone - Ex-Easter Island Head Remix
All I Ever Am - 65daysofstatic Remix
A Fragile Thing - Twilight Sad Remix
Endsong - Mogwai Remix
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What Critics Are Saying
Deep insights from 3 critics who reviewed this album
Critic's Take
The Cure's Mixes Of A Lost World reads like a curious, often winning experiment where sadness is given a second life on the dancefloor. The review frames the compilation as sprightly and effective, and useful as a charitable, exploratory companion to Songs of a Lost World rather than a necessary replacement.
Key Points
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The album’s core strength is its ability to transform melancholic originals into sprightly, effective dancefloor reinterpretations while preserving emotional power.
Themes
Fa
Critic's Take
She praises moments that dramatise the original or heighten that sweet spot where familiar foreboding comes ashore, celebrating remixes that add rhythmic urgency or storm-like power. The review keeps a measured admiration, admitting the remixes rarely match the Cure’s instrumental magic yet still open new avenues and viscera for Lost World to linger in.
Key Points
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The album’s core strength is expanding Songs of a Lost World through dance textures that preserve melancholy while opening new instrumental possibilities.
Themes
Critic's Take
He praises Paul Oakenfold's “pounding combo of synths & strings” and Four Tet's “blissful jittering,” arguing these remixes turn the originals into something cinematic and transportive. Overall Moores positions the album as a patchy but worthwhile two-hour catalogue from which a playlist of clear standouts can be culled.
Key Points
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The standout remixes are those that meaningfully rework the originals into cinematic or ambient pieces, notably Oakenfold and Four Tet.
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The album’s strength is in occasional transformative remixes amid an otherwise patchy, two-hour collection centered on Smith’s morbid vocals.