The Linda Lindas GOTTA GET OUT
Released Aug 28, 2026 Reprise
Established consensus 5 professional reviews Updated Oct 4, 2026
Broadly positive consensus
The Linda Lindas's GOTTA GET OUT announces a restless, grown-up leap for a band best known for hurricane-force youthfulness and punk candor.
How ChoruScore worksCritics' Top Tracks
The songs critics returned to most
Blood On Our Hands
5 critic mentions
“Blood On Our Hands' is fiercer, turning frustration with the state of things into a call to consider everyday choices.” — Dork
Closer
4 critic mentions
“She appears on ' Closer ', a collaboration that makes perfect sense given The Linda Lindas' long connection with Paramore” — Dork
Break
3 critic mentions
“Wong’s engagement with hardcore propels “Blood on Our Hands” and “Break.” — Pitchfork
Full critic consensus
The Linda Lindas's GOTTA GET OUT announces a restless, grown-up leap for a band best known for hurricane-force youthfulness and punk candor. Across five professional reviews, critics point to an expanded palette that blends genre-bending punk, 2000s alt-rock textures and occasional 80s-tinged synths, producing songs that feel both enraged and oddly consoling. The record earned a 77/100 consensus score from five professional reviews, a mark that frames it as a confident evolution rather than a clean reinvention.
Critics consistently praise “Blood On Our Hands” as the album's most eviscerating moment, a communal cry that channels political admonishment and righteous rage, while “Closer” (the Hayley Williams collaboration) and “Break” recur as standout tracks for their pop-punk catharsis and pit-ready intensity. Reviewers note diversification of sound throughout the tracklist: slacker-rock swagger on “High Horse”, 90s alt-rock grain on “Burning Out”, and tender closing moments that temper the record's fury. Themes of burnout, industry misogyny, and coming-of-age anxiety thread through the lyrics, giving emotional ballast to the bursts of hardcore impulse.
While most critics celebrate the band's artistic growth and broader ambitions, some point to uneven stretches where heftier production flirts with overreach. Still, the critical consensus suggests GOTTA GET OUT stands as a worthwhile, often essential listen for those hunting the best songs on the record and for listeners curious whether the band has matured without losing its spark. Below, the detailed reviews map where the album's highs and tensions land in The Linda Lindas' evolving catalog.
Track Ratings
How critics rated each track, relative to this album (0-100). Only tracks that made critics feel something are rated.
Gotta Get Out
Burning Out
Helado de Limón
Blood On Our Hands
Closer
Nothing Left
High Horse
Break
I Could Be Wrong
Everybody Told Me
Okay
See You Next Time
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What Critics Are Saying
Deep insights from 5 critics who reviewed this album
Critic's Take
The Linda Lindas sound like a band still full of reckless joy on GOTTA GET OUT, and the best songs here underline that growth. The review highlights “Burning Out” as an early highlight, its chunky 90s alt-rock lean making it one of the best tracks on GOTTA GET OUT. It also flags “Blood On Our Hands” as fiercer, turning frustration into a communal call, and the Hayley Williams collaboration “Closer” as a natural, likable standout that leans their punk spirit toward giant pop instincts. Overall the record feels louder, more varied and more purposeful - the best songs show a band broadening their palette without losing their earnest spark.
Key Points
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The best song is "Burning Out" because it is called an "early highlight" and channels chunky 90s alt-rock.
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The album's core strengths are expanded punk energy, communal anger turned purposeful, and successful collaborations that broaden their sound.
Themes
Critic's Take
The Linda Lindas channel an anxious, galvanised urgency on GOTTA GET OUT, and the reviewer's voice lights up for tracks such as “Blood On Our Hands” and “Break” for their direct, pit-ready power. The writer praises how “Blood On Our Hands” stands as the most eviscerating statement, while “Break” is called out as tailor-made for thrashing circle pits, both exemplifying the album's confrontational pulse. They also highlight the band's pop-punk staples like “Burning Out”, “Closer” and “Okay”, and note how the latter half - including “Nothing Left” and “High Horse” - drifts into eerier, ’80s-inflected textures without losing its bite. Overall the reviewer frames the album as both a door into the fray and a fire escape, praising its ability to confront without sermonising.
Key Points
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The best song, “Blood On Our Hands”, is most praised for its direct, eviscerating political statement and heavy riffs.
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The album's core strengths are its galvanised punk energy and its ability to pair confrontational lyrics with surprising melodic tenderness and ’80s textures.
Themes
Fa
Critic's Take
The Linda Lindas on Gotta Get Out hit with a mix of urgency and maturity that makes the best tracks unforgettable. The review revels in the forceful polemic of “Blood On Our Hands” and elevates “Nothing Left” as the standout track, both songs balancing political bite with melodic hooks. There is tenderness too, notably in “Everybody Told Me” and the closer “See You Next Time”, which give the album emotional ballast. Overall the record feels like a confident, occasionally bruised leap forward, a punk band sharpening its aim and widening its reach.
Key Points
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The best song, “Nothing Left”, is a vociferous, urgent centerpiece that crystallises the album's political bite.
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The album's core strengths are its blend of punk immediacy and moments of confessional emotionality, balanced by strong hooks and guest power.
Themes
Critic's Take
The Linda Lindas expand and complicate their sound on GOTTA GET OUT, balancing righteously bewildered noise and plaintive moments. The review keeps returning to the urgent centerpieces “Closer” and “Gotta Get Out”, where layered vocals and synth lift songs into taut pop-punk catharsis. Songs such as “Blood On Our Hands” and “Break” show the band tapping hardcore impulse without losing melodic craft. The result is an album that makes the best tracks feel both alarmed and oddly consoling, a portrait of burnout that still wants to escape.
Key Points
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“Closer” stands out for its emo heft and a bridge that crystallizes the album’s burnout theme.
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The album’s strength is its diversified palette, balancing hardcore, new wave, and vulnerable balladry.
Themes
Critic's Take
The Linda Lindas sound more ambitious and confident on GOTTA GET OUT, and the reviewer's relish for their evolution is clear. The critic repeatedly singles out “High Horse” for its slacker-rock slant and names “Blood On Our Hands” and “Break” as incendiary hardcore-tinged moments, arguing these best tracks show how the band has broadened its palette. The voice is admiring and analytical, praising fun, explosive choruses while noting the album's 2000s-inspired alt-punk sheen. Readers searching for the best songs on GOTTA GET OUT will find the reviewer's picks are those that balance hooky, shout-along choruses with adventurous genre play.
Key Points
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The best song moments (e.g., "Blood On Our Hands", "High Horse") succeed by blending political bite with hardcore or slacker-rock energy.
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The album's core strengths are genre-bending ambition, catchy shout-along choruses, and clear artistic growth.