These New Puritans Crooked Wing

Critic's Take

Listening to These New Puritans on Crooked Wing, the reviewer's ear keeps returning to “Goodnight” and “Bells” as the album's high points, because they best display the record's neo-classical sweep and adventurous melodies. The praise is tempered - the writer still finds much of the album too translucent and weightless compared with the duo's previous grandeur, noting that “Industrial Love Song” and “I’m Already Here” lack climactic lift. Yet the reviewer celebrates the Barnetts' mastery of sound design and atmosphere, arguing that moments like “Wild Fields” and the title track achieve a cavernous, futuristic magnificence. Overall, the narrative answers which are the best songs on Crooked Wing by pointing to those that most convincingly conjure mood and compositional ambition.

Key Points

• Goodnight is best because it is the most significant, adventurous song with multiple melodies and a jazz finale.
• The album's core strengths are its masterful sound design, neo-classical instrumentation, and evocative atmospheres.

Critic's Take

These New Puritans approach Crooked Wing as an album-length proposition, and the review singles out the more commanding moments, especially “Crooked Wing” and “The Old World”. The reviewer praises the record's seriousness and meticulous construction, naming those tracks as fulcrums where intent and texture meet. Read as advice on the best songs on Crooked Wing, the piece directs listeners toward the album's centerpiece moments, rather than its subtler connective tissue. Overall the tone is admiring and measured, pointing readers to the handful of tracks that most clearly realize the band's ambitions.

Key Points

• The title track, “Crooked Wing”, is framed as the album's centerpiece and best song.
• The album's core strength is its seriousness and meticulous, album-as-statement construction.

Themes

Critic's Take

In his refined, observant voice Louis Pattison finds the best songs on Crooked Wing in moments of stark, modernist beauty - chiefly “Bells”, with its quiet minimalist mastery, and the glowing, soprano-swollen “I’m Already Here”. Pattison writes like a careful guide through a windswept landscape, noting how Caroline Polachek’s duet on “Industrial Love Song” and the Barnetts’ chamber arrangements conjure both sublimity and menace. The review points readers searching for the best tracks on Crooked Wing toward those songs where delicate instrumentation and sudden emotional heft meet, rather than toward pop hooks or easy prettiness.

Key Points

• The best song is "Bells" because of its quiet minimalist mastery and majestic vocal close.
• The album’s core strengths are meticulous chamber arrangements and the balance of stark beauty with unsettling darkness.

Themes

Critic's Take

In this review I find These New Puritans refining a familial alchemy on Crooked Wing, where the records best tracks like “Industrial Love Song” and “Wild Fields” reveal the album's emotional centre. Turner’s voice admires how Jack Barnett’s expressive vulnerability and George’s battering drums make songs such as “Wild Fields” and “The Old World” feel both intimate and vast. He repeatedly returns to the bells and organ as defining motifs that lift the best songs into something almost ecclesiastical, and he calls the collection a masterpiece that deserves to soar. The narrative stakes are plain - the best songs on Crooked Wing are those that fuse domestic lineage and grandeur into singular, unforgettable moments.

Key Points

• The best song is the one that fuses intimate vocals with dramatic arrangement, exemplified by "Industrial Love Song".
• The album’s core strengths are its choral and organ textures, familial focus, and lyrical Romanticism.

Themes

Critic's Take

In his characteristically admiring and slightly bemused voice, Reuben Cross presents These New Puritans's Crooked Wing as an unsettling, filmic triumph where the best songs - notably “Industrial Love Song” and “A Season In Hell” - crystallise the album's strengths. He lingers on how Caroline Polachek's crystalline tones make “Industrial Love Song” one of the record's highlights, and how the manic organs and bombastic drumming of “A Season In Hell” push the band back into their most haunting territory. Cross keeps a measured, expert tone throughout, calling moments like “The Old World” and the title track emotionally arresting while stressing that the record is best absorbed as a whole. The narrative reads like a victory lap for the Barnett brothers, admiring their compositional daring without shying away from the album's gloom.

Key Points

• The best song is “Industrial Love Song” because Caroline Polachek's feature and sumptuous interplay make it a standout highlight.
• The album's core strengths are its cinematic, neoclassical-influenced arrangements and its willingness to blend industrial and chamber elements into a cohesive, unsettling whole.

Themes

Critic's Take

These New Puritans are at their most refined on Crooked Wing, where the best songs - notably “Waiting” and “Industrial Love Song” - reveal a cold, devotional beauty beneath metallic fracture. The opener “Waiting” sets the tone with sparse falsetto and delicate vibes, while “Industrial Love Song” is perhaps the record's most disarming moment, a ballad of yearning wrapped in iron. Elsewhere, tracks like “Bells” and “A Season In Hell” expand the album's resonant palette, so the best tracks on Crooked Wing are those that balance intimacy with its austere machinery. This is not an easy listen, but those seeking the best songs on Crooked Wing will find reward in its unsettling textures and restrained melodicism.

Key Points

• The best song, notably "Industrial Love Song", stands out as a disarming, yearning ballad wrapped in industrial textures.
• The album's core strengths are its tightly focused, textural palette and the balance of restraint with unsettling, melodic fragments.

Themes

Critic's Take

These New Puritans return with Crooked Wing, a record that trades in the filthy and the heavenly and finds its best moments in contrasts. The best songs on Crooked Wing, like “Bells” and “Industrial Love Song”, push the album's tension into rapturous territory, Caroline Polachek's guest turn giving the latter crisp, emotionally potent lift. Darker highlights such as “A Season In Hell” and “Wild Fields” show how ominous organs and harsh textures can transform accessible synth-pop into something engrossing. It is an elegant, engrossing return that marries industrial grit and ecclesiastical splendour while remaining emotionally easy to grasp.

Key Points

• The best song is best because it transforms simple elements into rapturous, instrumentally gorgeous moments.
• The album's core strengths are its fusion of industrial grit and ecclesiastical grandeur, and its balance of accessible melodies with dark textures.

Themes

Critic's Take

These New Puritans sound sharpened rather than reinvented on Crooked Wing, and the best songs repay patient listening. The title track “Crooked Wing” is elevated by organ sounds that emerge like beams of divine light, making it one of the best tracks on Crooked Wing. The Old World is singled out as another top pick, while “Bells” benefits from stripped-down sparseness that suits the record. Only “Wild Fields” falters, feeling like a dulled memory rather than a companion to the album's subterranean beauty.

Key Points

• The title track “Crooked Wing” is best for its organ-led, rousing emotional payoff.
• The album’s core strength is a refined, sparse production that balances scientific precision with emotive timing.

Themes