Titanic Hagen
Titanic's Hagen arrives as a striking collision of mythic scale and intimate unease, an album where experimentation and pop craft coexist with uncanny poise. Critics point to its clearest grooves and most unforgettable moments on tracks such as “Lágrima del sol”, “La dueña” and “La trampa sale”, songs that shift from jerky, arrhythmic guitar to cinematic cello swells and arena-sized choruses. Across reviews, those standout tracks emerge as the best songs on Hagen, repurposing tension into hooks that linger long after the record ends.
The critical consensus — an 87.33/100 average across three professional reviews — highlights recurring strengths: cello and strings prominence, voice-as-instrument phrasing, and bold dynamic contrasts that make the collection feel simultaneously accessible and avant-garde. Reviewers consistently praise “Escarbo dimensiones” and “Gotera” for instrumental tension that blooms into widescreen drama, while Mabe Fratti's tremulous vocal turns give passages like “Pájaro de fuego” an almost liturgical lift. Critics note a recurring theme of rebirth and apocalyptic imagery, where instrumental drama and mythic storytelling push the record beyond conventional pop.
While some reviews emphasize the album's challenging edges, the consensus suggests Hagen rewards close listening: the experimentation-versus-accessibility tension is the record's central triumph. For readers asking whether Hagen is worth a listen, professional reviews agree that its standout songs and genre-agnostic ambition make it a compelling, often essential chapter in Titanic's catalog.
Critics' Top Tracks
The standout songs that made critics take notice
La dueña
2 mentions
"La Dueña slips from distorted cello and cymbal washes into a dramatic synth ballad that channels Kate Bush’s yearning vocals;"— The Guardian
La trampa sale
2 mentions
"La Trampa Sale erupts from a trudging beat into an arena-sized, reverb-laden chorus."— The Guardian
Lágrima del sol
3 mentions
"Opener Lágrima del Sol sets the tone: sparse hand claps and shards of distorted guitar"— The Guardian
La Dueña slips from distorted cello and cymbal washes into a dramatic synth ballad that channels Kate Bush’s yearning vocals;
Track Ratings
How critics rated each track, relative to this album (0-100). Only tracks that made critics feel something are rated.
Lágrima del sol
Gotera
Escarbo dimensiones
Te tragaste el chicle
Libra
La dueña
La Gallina degollada
Pájaro de fuego
La trampa sale
Alzando el trofeo
What Critics Are Saying
Deep insights from 3 critics who reviewed this album
Critic's Take
The most striking moments on Hagen are its best tracks, where Titanic balance menace and melody with uncanny ease. Titanic find their clearest grooves on “Lágrima del sol” and “La Dueña”, songs that move from jerky, arrhythmic guitar to cinematic swells with uncanny poise. The record’s best tracks, like “Gotera” and “La trampa sale”, reward close listening by turning thorny, confrontational passages into hooks you keep singing. This is an album where experimentation and accessibility aren’t enemies, which is why queries about the best songs on Hagen will invariably point listeners to those standout moments.
Key Points
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The best song is the opener, "Lágrima del sol", because it fuses jerky instrumentation with clear, cornet-like vocals into a memorable cinematic hook.
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The album’s core strength is marrying avant-garde experimentation with accessible hooks, weaving clarity amid challenging arrangements.
Themes
Critic's Take
Titanic make a record that feels like myth made sound on Hagen, and the best songs - notably “Escarbo dimensiones” and “Gotera” - show why. The reviewer's voice revels in the album's instrumental tension, describing how “Escarbo dimensiones” blooms from sparse beats into a supernova of guitar and cello, and how “Gotera” piles on raucous chaos. Fratti's tremulous voice anchors pieces like “Pájaro de fuego”, where cello and synth rise toward an angelic chorus, making these tracks the clearest examples of the album's strengths. This is an album of scale and cyclical myth, and its best tracks are those that turn atmosphere into narrative, guiding the listener back toward silence with a sly, powerful pull.
Key Points
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“Escarbo dimensiones” is best because it transforms sparse elements into a supernova duet of guitar and cello.
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The album's core strengths are its mythic scale, instrumental tension, and Fratti's guiding, tremulous voice.
Themes
Critic's Take
In a voice that marvels at surprise and balance, Mabe Fratti and Titanic turn Hagen into a record where pop shimmer collides with experimental unease. The review repeatedly points to the best songs on Hagen - opener “Lágrima del Sol” for its shift from nursery-rhyme melody to Phil Collins-worthy toms, and “La Trampa Sale” for erupting into an arena-sized chorus - as exemplar moments. Other highlights like “Escarbo Dimensiones” and “La Dueña” are praised for their sly genre nods, from Sade-like soft funk to Kate Bush-channeling synth drama. The result is a daring reimagining of pop that is challenging, infectious and full of joyous surprise.
Key Points
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Opener "Lágrima del Sol" is best for its surprising shifts from nursery-rhyme melody to 80s synth-pop drama.
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The album's core strength is balancing experimental textures with infectious pop hooks and lingering unease.