TOMORA COME CLOSER
TOMORA's COME CLOSER arrives as a collision of festival-sized spectacle and intimate, otherworldly detail, and critics largely agree it often delivers thrilling highs even when its ambitions outpace cohesion. Across eight professional reviews the record earned a 77.13/100 consensus score, with reviewers repeatedly poin
The title track captures the urgent, necessary chemistry that makes it the album's best song.
The album's core strength is the uneasy but productive proximity of two distinct approaches, creating fluid, open-ended pieces.
Best for listeners looking for collaboration and escapism, starting with COME CLOSER and PLEASE.
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Full consensus notes
TOMORA's COME CLOSER arrives as a collision of festival-sized spectacle and intimate, otherworldly detail, and critics largely agree it often delivers thrilling highs even when its ambitions outpace cohesion. Across eight professional reviews the record earned a 77.13/100 consensus score, with reviewers repeatedly pointing to moments where rave beats, ethereal vocals and maximalist production lock into genuinely electrifying pop.
Reviewers consistently highlight the title track “COME CLOSER” as the album's signature moment, praising Aurora's haunting vocal textures against Tom Rowlands' sparse-yet-epic production, while “RING THE ALARM” and “A BOY LIKE YOU” also emerge as standout tracks for their kinetic payoff and power-ballad sweep. Critics note recurring themes of proximity over assimilation, dance-pop fusion, and the contrast between ambient subtlety and big-beat thrust - the best songs on COME CLOSER tend to be those that reconcile those tensions into outright anthems.
The critical consensus is broadly favorable but measured: some reviewers celebrate the duo's chemistry and festival-ready energy, calling parts of the collection essential and irresistibly fun, while others point to unrealised potential and moments where collaboration competes with individual ideas rather than fusing them. For readers asking whether COME CLOSER is worth hearing, professional reviews suggest its high points - led by “COME CLOSER”, “RING THE ALARM” and “A BOY LIKE YOU” - make it a rewarding listen, even if the record stops short of a full breakthrough.
Below, the detailed reviews unpack where the album succeeds as a dancefloor-defying experiment and where its ambitions could have been better sustained.
Critics' Top Tracks
The standout songs that made critics take notice
COME CLOSER
6 mentions
"a fantastical tune with the mystical quality of a weekend in Middle-earth"— Irish Times
PLEASE
1 mention
"the ghostly opener ‘Please’ glides into the hymnal pipe-organ of the title track"— New Musical Express (NME)
RING THE ALARM
4 mentions
"the record then takes a turn towards the thunderous and dark on Ring the Alarm"— Irish Times
a fantastical tune with the mystical quality of a weekend in Middle-earth
Track Ratings
How critics rated each track, relative to this album (0-100). Only tracks that made critics feel something are rated.
PLEASE
COME CLOSER
A BOY LIKE YOU
RING THE ALARM
MY BABY
HAVE YOU SEEN ME DANCE ALONE
SOMEWHERE ELSE
I DRINK THE LIGHT
WAVELENGTHS
SIDE BY SIDE
THE THING
IN A MINUTE
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What Critics Are Saying
Deep insights from 8 critics who reviewed this album
Th
Critic's Take
TOMORA's COME CLOSER feels like a vital escape, a debut that kicks presumptions to the kerbside with effervescent giddiness. The record swings between android-ethereal textures and thunderously bangin' beats, and that bold contrast makes tracks like “COME CLOSER” and “I DRINK THE LIGHT” feel like the best songs on COME CLOSER. Thomas H. Green's prose praises the chemistry between Tom Rowlands and Aurora, noting this collaboration sounds urgent and necessary rather than merely curious. That urgency, more than polish, is what marks the album's standout moments and the best tracks on the record.
Key Points
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The title track captures the urgent, necessary chemistry that makes it the album's best song.
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The album's core strength is its contrast between android-ethereal textures and thunderously bangin' energy, delivered with effervescent giddiness.
Themes
Critic's Take
It presents the best songs on COME CLOSER as festival-ready crowd-pleasers and adventurous pop experiments, exacting both spectacle and intimacy. The voice stays celebratory and vivid, calling the album exceptional, beautiful and, crucially, shit tonnes of fun.
Key Points
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The best song work is the high-energy rave-pop like "Ring The Alarm" which combines urgency and block-rocking beats.
Themes
Ir
Critic's Take
TOMORA sound like a megaduo in full flight on COME CLOSER, where stomping choruses and banging rave beats make certain songs stand out. The title track “COME CLOSER” is described as a fantastical tune with mystical, epic vocals that meld Aurora and Rowlands, and it emerges as one of the best tracks on COME CLOSER. Likewise, “A BOY LIKE YOU” is singled out as a bigger-is-better wraithlike power ballad, another highlight among the best songs on the album. Elsewhere the thunderous “RING THE ALARM” channels prime Chemical Brothers roof-rattling onslaught, cementing these three as the album’s chief standouts.
Key Points
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The title track “COME CLOSER” is best for its mystical, epic vocals and enormous production.
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The album’s core strengths are maximalist production, dance-pop fusion, and Aurora’s ethereal vocals.
Themes
Sp
Critic's Take
TOMORA's COME CLOSER often rewards patience, and the best tracks show why: “COME CLOSER” drifts with icy scope while “RING THE ALARM” supplies the record's kinetic payoff. The reviewer's tone keeps a measured affection - noting how AURORA's voice is folded into texture and Rowlands' production alternates between muscle and restraint. For listeners asking what the best songs on COME CLOSER are, the title track and “Ring the Alarm” repeatedly emerge as moments where ideas follow through and everything clicks.
Key Points
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The title track is the best example of the album's spacious, icy moments where ideas follow through.
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The album's core strength is the uneasy but productive proximity of two distinct approaches, creating fluid, open-ended pieces.
Themes
Critic's Take
TOMORA feels like a good-natured side quest, and on COME CLOSER the best songs prove why that risk pays off. The title track “COME CLOSER” is a glowing space ballad where AURORA exorcises demons with haunted shrieking, making it one of the best tracks on COME CLOSER. Dark, bluesy trip-hop cuts like “A BOY LIKE YOU” and “THE THING” creep with introspective lyrics and an industrial tinge, staking their claim among the album's standout moments. Elsewhere, club-ready pieces such as “RING THE ALARM” and “MY BABY” show the duo channeling Chemical Brothers energy while keeping an otherworldly edge.
Key Points
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The title track “COME CLOSER” stands out for its haunting, cathartic vocal performance.
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The album's core strength is adventurous genre-blending that pairs Chemical Brothers-style production with AURORA's otherworldly vocals.
Themes
Ho
Critic's Take
TOMORA's COME CLOSER is at its best when the duo lock into those bruising-but-breathable moments, most notably on “COME CLOSER” where Rowlands' sparse production lets Aurora howl and beseech. The reviewer's eye lingers on “SOMEWHERE ELSE” as another highlight, a marriage of throbbing synths and pointed vocals that actually lands. Yet the tone remains measured - the record often flirts with greatness but rarely sustains it, with pieces like “I DRINK THE LIGHT” feeling at times like competing agendas rather than true fusion. Overall, the best tracks on COME CLOSER show what this pairing can be when it truly gels, even if the album falls short of a breakthrough.
Key Points
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The title track “COME CLOSER” is the album's standout because sparse production gives Aurora dramatic space to sing.
Themes
