Tyler, The Creator DON'T TAP THE GLASS

Critic's Take

Tyler, The Creator returns with DON'T TAP THE GLASS, a compact, jittery celebration of dance-rap that spotlights the best songs: “Ring Ring Ring” and “Don’t You Worry Baby”. The reviewer savours the record’s Y2K phantom of Pharrell and the Zapp-style talkbox on “Sucka Free”, while praising “Ring Ring Ring” as a show-stealer and calling “Don’t You Worry Baby” a tender R&B jewel that rewires the spotlight. Though the closer “Tell Me What It Is” feels slightly undercooked, the album’s joyous crate-digger instincts and disco-flavoured raps make the best tracks stand out as wins for Tyler’s playful, nostalgic reinvention.

Key Points

• ‘Ring Ring Ring’ is the best song because of its thick funk bass, irreverent lyrics, and status as a show-stealer.
• The album’s core strengths are nostalgic, danceable production and affectionate reinventions of 1980s/90s hip-hop and R&B styles.

Themes

Critic's Take

Tyler, The Creator treats DON'T TAP THE GLASS like a museum of club flavors, but the best songs - “Don’t Tap That Glass/Tweakin’” and “I’ll Take Care of You” - are the only moments that feel muscular and alive. Paul Attard argues that while the production gleams, much of the album collapses under curated eclecticism and prefab aesthetics, leaving most tracks inert rather than kinetic. The review highlights the title suite and the Yebba duet as the album’s real successes, even as the rest plays like precision-engineered lifestyle music, not dance music. This is an album of smart gestures that largely fail to translate into genuine movement or emotional payoff.

Key Points

• The title suite “Don’t Tap That Glass/Tweakin’” is the album’s best song because it is messy, muscular, and channels real club energy.
• The album’s core strength is gleaming production and adept pastiche, but it lacks pulse and emotional commitment.

Themes

Critic's Take

Tyler, The Creator's DON'T TAP THE GLASS is a compact, dancefloor-skewed set where the best songs - notably “Ring Ring Ring” and “Big Poe (feat. Sk8brd)” - show Tyler's gift for deploying vintage reference points as hooks. Petridis writes with relish about the album's crafting, praising how those tracks turn old-school electronics and boogie into immediate, booming club-ready statements. He also notes that songs such as “Tell Me What It Is” and “Mommanem” supply shards of the reflective, Chromakopia-era vulnerability, which keeps the record from being merely stylish pastiche. The result, in the reviewer's voice, is an album that succeeds because its hooks work with enviable efficiency and its nostalgia feels like love rather than box-ticking.

Key Points

• The best song is a win because it fuses authentic vintage boogie/electro reference points with immediate, club-ready hooks.
• The album's core strengths are focused, lovingly deployed production references and efficient, memorable hooks balanced by brief moments of vulnerability.

Themes

Critic's Take

Tyler, the Creator keeps it tight and kinetic on DON'T TAP THE GLASS, and the best tracks - notably “Big Poe (feat. Sk8brd)” and “Sugar On My Tongue” - show why Tyler’s shorthand for dance music works. The record is brisk, pressure-cooked and playful, and songs like “Ring Ring Ring” and “Sucka Free” parade his affection for retro synth-funk and Miami bass while staying smack in the pocket. These standout moments prove Tyler can distill swagger and horny goofiness into compact, club-ready hooks without losing his chameleonic flair. The short runtime lets the highlights land hard, which is why queries about the best songs on DON'T TAP THE GLASS keep circling back to those earworms.

Key Points

• The best song is the opener "Big Poe" because it condenses Tyler’s varied influences into a high-energy sampler that defines the album’s dancefloor intent.
• The album’s core strengths are concise, pressure-cooked production and a playful celebration of retro dance styles that prioritize movement and mood.

Themes

Critic's Take

Tyler, The Creator makes a brazen, gleeful return on DON'T TAP THE GLASS, where the best tracks - “Big Poe”, “Sucka Free” and “Sugar on My Tongue” - push celebration and paranoia into a single blow. The reviewer revels in Tyler’s ability to flex without abandoning meaning, calling out how opener “Big Poe” sets rules for motion and levity while “Sucka Free” stands out as a vibe-infused highlight. Even the carnal “Sugar on My Tongue” pairs horny urgency with brutal, punishing production, which keeps the album feeling raw and alive. This is Tyler nudging us out of introspection and into a messy, thrilling looseness, asking us to put our phones down and move.

Key Points

• The best song is "Big Poe" because it sets the album’s rules and tone with commanding guest spots and memorable lines.
• The album’s core strengths are bold production, a mix of celebration and paranoia, and Tyler’s knack for blending vulnerability with brio.

Themes

Critic's Take

Tyler, The Creator keeps the hits-and-histrionics formula intact on DON'T TAP THE GLASS, and the best songs - “Big Poe”, “Don’t You Worry Baby” and “Tell Me What It Is” - show why. Mosi Reeves notes how “Big Poe” unfolds like an early Aughts romp, while the duet with Madison McFerrin on “Don’t You Worry Baby” spools together an R&B-ass rhythm that conjures real magic. The title track and closer trade chest-thumping bravado for anxious, tremulous singing, so the album’s strengths are its fizzing production and Tyler’s uncanny mix of swagger and vulnerability. Even if it rarely surprises, DON'T TAP THE GLASS is entertaining and full of the moments that make fans call out the best tracks on the record.

Key Points

• The best song is a duo of strong production and nostalgia, with “Don’t You Worry Baby” conjuring the record’s most convincing magic.
• The album’s core strengths are fizzing, shapeshifting production and Tyler’s blend of swagger and trembling vulnerability.

Themes

Critic's Take

In his usual mischievous, descriptive cadence, Tyler, The Creator delivers a sun-baked micro-rave on DON'T TAP THE GLASS, where the best tracks - notably “Big Poe” and “Stop Playing With Me” - propel the record with kinetic, confrontational energy. The review revels in Tyler's penchant for weird mashups and ’80s nods, praising how “Big Poe” meshes psychedelic Indian textures with abrasive hip-hop bravado and how “Stop Playing With Me” channels LL Cool J-style theatrical fury. Lighter moments like “Sucka Free” and “I’ll Take Care of You” are lauded for their funky, twitchy charm, even if hooks sometimes verge on colorless. Ultimately, the album is commended as a meticulous, deliberately low-stakes summer record you can, and should, dance to.

Key Points

• “Big Poe” is the best track for its bold, kinetic mashup of psychedelic, electronic and rap elements that command attention.
• The album’s core strength is its focused, dance-first experimentation that fuses ’80s influences with house, techno and funk into a concise 29-minute micro-rave.

Themes

Critic's Take

Tyler, The Creator continues to oscillate between swagger and sentiment on DON'T TAP THE GLASS, and the best songs on the album prove that alternation is its strength. The opener “Big Poe” and the title track “Don't Tap That Glass / Tweakin'” stand out - the former for its thrillingly cacophonous brashness and the latter for putting Tyler's verbal skills squarely on display. Elsewhere, lighter cuts like “Ring Ring Ring” and the closer “Tell Me What It Is” show his sly pop-R&B instincts and surprising melodic turns. The best tracks on DON'T TAP THE GLASS are therefore those that let Tyler be both macho and vulnerable, often within the same breath.

Key Points

• The best song(s) put Tyler's verbal dexterity and alternating swagger/vulnerability front and center.
• The album's core strengths are its tonal range and compact, expressive sequencing that showcases multiple facets of Tyler's persona.

Themes

Critic's Take

Tyler, The Creator arrives unadorned on DON'T TAP THE GLASS, reveling in movement and pleasure rather than conceptual weight. The review names “Ring Ring Ring” and “Big Poe” as highlights, praising the former as decadently smooth and the latter for its neon synth maelstrom. There is also affection for the breathy, Marvin Gaye-inflected “Sucka Free”, which showcases Tyler’s sensual, space-odyssey tendencies. Overall the record is framed as a scrappy, retro-futurist collection that resets Tyler’s palette toward pure, kinetic fun.

Key Points

• The best song is 'Ring Ring Ring' for its decadently smooth, hooky avant-funk that stands out as the record's highlight.
• The album’s core strength is its stripped-back, dancefloor-focused energy that prioritizes movement, playfulness, and retro-futurist production over heavy concept.

Themes