Into Oblivion by Venom

Venom Into Oblivion

85
ChoruScore
2 reviews
Early read
May 1, 2026
Release Date
BMG Rights Management (UK) Ltd.
Label
Early read Strong critical consensus

Early read based on 2 professional reviews. Venom's Into Oblivion stakes a defiant claim for the band's relevance, marrying old-school metal ferocity with a renewed live energy that critics say lands with force. Across professional reviews, the title track “Into Oblivion” repeatedly emerges as the album's centerpiece, a tight thrash showcase, while “As Above So

Reviews
2 reviews
Last Updated
May 1, 2026
Confidence
90%
Scale
0-100 critics
Primary Praise

The title track is best for setting the album's tone with a gripping riff and powerful drums.

Primary Criticism

Shared criticism is still limited across the current review sample.

Who It Fits

Best for listeners looking for return and classic thrash sound, starting with Into Oblivion and Lay Down Your Soul.

Standout Tracks
Into Oblivion Lay Down Your Soul Kicked Outta Hell

Full consensus notes

Venom's Into Oblivion stakes a defiant claim for the band's relevance, marrying old-school metal ferocity with a renewed live energy that critics say lands with force. Across professional reviews, the title track “Into Oblivion” repeatedly emerges as the album's centerpiece, a tight thrash showcase, while “As Above So Below” and “Lay Down Your Soul” receive praise for channeling ritualistic atmosphere and crowd-ready aggression respectively.

The critical consensus is favorable: Into Oblivion earned an 85/100 score across 2 professional reviews, with writers noting a confident return after an extended hiatus. Reviewers consistently highlight Cronos's matured vocals, punchy drums, and riff-first songwriting that recalls the band's 1980s roots without sounding merely nostalgic. Critics point to themes of resilience and ritualistic darkness, and they praise the record's live-ready production that foregrounds thrash momentum and classic metal theatre.

Perspective is balanced where necessary. While one review celebrates the album as a must-listen and highlights both “Into Oblivion” and “As Above So Below” as definitive standouts, another emphasizes bruising, bar-room immediacy with particular nods to “Lay Down Your Soul” and album moments like “Kicked Outta Hell” and “Man & Beast” that deepen the record's range. Together the professional reviews frame Into Oblivion as a potent return - familiar in tone, sharpened in execution - and a record that rewards fans seeking both classic thrash attack and ritualistic atmosphere.

Read on for full reviews and track-by-track notes that unpack why critics agree the collection reaffirms Venom's place in modern metal.

Critics' Top Tracks

The standout songs that made critics take notice

1

Into Oblivion

2 mentions

"The title track of this album, “Into Oblivion,” is a classic thrash metal track"
The Spill Magazine
2

Lay Down Your Soul

1 mention

"The former is basically a burly bar room brawl in the form of a heavy metal song"
Blabbermouth
3

Kicked Outta Hell

1 mention

"The aforementioned "Lay Down Your Soul" as well as "Kicked Outta Hell" both bridge dark thrash with NWOBHM explosiveness"
Blabbermouth
The title track of this album, “Into Oblivion,” is a classic thrash metal track
T
The Spill Magazine
about "Into Oblivion"
Read full review
2 mentions
96% sentiment

Track Ratings

How critics rated each track, relative to this album (0-100). Only tracks that made critics feel something are rated.

View:
1

Into Oblivion

2 mentions
100
04:11
2

Lay Down Your Soul

1 mention
84
03:13
3

Nevermore

1 mention
5
03:06
4

Man & Beast

1 mention
53
03:30
5

Death the Leveller

1 mention
21
03:20
6

As Above So Below

2 mentions
42
04:54
7

Kicked Outta Hell

1 mention
74
03:24
8

Legend

0 mentions
03:00
9

Live Loud

0 mentions
03:21
10

Metal Bloody Metal

0 mentions
02:53
11

Dogs of War

0 mentions
02:03
12

Deathwitch

1 mention
32
03:29
13

Unholy Mother

1 mention
32
03:23

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What Critics Are Saying

Deep insights from 2 critics who reviewed this album

Critic's Take

Venom return with Into Oblivion and the best tracks show why the band still matters: the title cut “Into Oblivion” is a classic thrash showcase, tight and commanding, while “As Above So Below” channels a ritualistic, elevated take on their ’80s sound. The reviewer's tone is celebratory and assured, praising Cronos’ matured vocals and the punchy drums that push these songs into standout territory. For listeners asking what the best songs on Into Oblivion are, these two tracks are recommended as highlights that balance fresh energy with faithful roots. Overall the album is described as a must-listen for metal fans and newcomers alike, a strong return after eight years.

Key Points

  • The title track “Into Oblivion” stands out as a classic thrash showcase, driven by evolved vocals and tight instrumentals.
  • The album's core strength is balancing fresh energy with faithful adherence to Venom's classic sound, offering ritualistic atmosphere and punchy performance.

Themes

return classic thrash sound roots vs new evolution ritualistic atmosphere

Bl

Blabbermouth

Unknown
Apr 21, 2026
70

Critic's Take

VENOM bring back the bruising old-school fury on Into Oblivion, with the title track and “Lay Down Your Soul” standing out as certifiable crowd-pleasers. The opener, “Into Oblivion”, powerfully sets the tone with a gripping melodic riff and Dante's beefy drums, while “Lay Down Your Soul” is a manic, burly bar-room brawl of a metal anthem. Elsewhere the band balances galloping moments like “Nevermore” against dirges such as “As Above, So Below” to keep the record varied yet unmistakably Venom. The result is a sincere, completely badass return that lives and breathes on stage-ready riffs and belligerent energy.

Key Points

  • The title track is best for setting the album's tone with a gripping riff and powerful drums.
  • The album's core strengths are its live-ready, old-school metal energy and varied tempo between thrashers and dirges.

Themes

old-school metal thrash dark/occult imagery live energy resilience