God Of Angels Trust by Volbeat

Volbeat God Of Angels Trust

70
ChoruScore
4 reviews
Jun 6, 2025
Release Date
Vertigo Berlin
Label

Volbeat's God Of Angels Trust stakes a confident claim as a comeback that marries rock'n'roll swagger to heavy metal muscle, and critics agree the record largely succeeds on its most immediate moments. Across four professional reviews the album earned a 70/100 consensus score, with praise centering on a leaner, faster production and a rockabilly-metal fusion that foregrounds arena-ready choruses and theatrical, sometimes horror-tinged imagery.

Reviewers consistently point to standout tracks as proof of the record's strengths. “Acid Rain”, repeatedly cited for its Springsteen-like verse detonating into a massive chorus, emerges as one of the best songs on God Of Angels Trust, alongside the barn-burning epic “In the Barn of the Goat Giving Birth to Satan's Spawn in a Dying World of Doom” and the jolting pair “At the End of the Sirens” and “By a Monster's Hand” praised for their anthemic hooks and jolting tempo shifts. Critics note that quicker writing and live-in-studio energy give songs like “Devils Are Awake” and “Demonic Depression” a raw immediacy even when transitions feel jarring.

While several reviews celebrate the band's return-to-roots focus and clear homages to Metallica and Slayer, others register a tension between commercial polish and the heavier past that prompts calls for bolder innovation next time. The critical consensus suggests God Of Angels Trust is worth listening to for its top tracks and singable moments, a record that consolidates Volbeat's strengths even as it hints at directions the band might push further.

Critics' Top Tracks

The standout songs that made critics take notice

1

At the End of the Sirens

1 mention

"The album’s biggest earwigs are “At the End of the Sirens,"
Glide Magazine
2

By a Monster’s Hand

2 mentions

"the mid-tempo rocker "By A Monster’s Hand," which pairs Poulsen’s jerky, staccato riffs"
Glide Magazine
3

Devils are Awake

1 mention

"The album opener, “Devils Are Awake,” begins with a slow, sludgy attack"
Glide Magazine
The album’s biggest earwigs are “At the End of the Sirens,
G
Glide Magazine
about "At the End of the Sirens"
Read full review
1 mention
90% sentiment

Track Ratings

How critics rated each track, relative to this album (0-100). Only tracks that made critics feel something are rated.

View:
1

Devils are Awake

1 mention
75
04:54
2

By a Monster’s Hand

2 mentions
91
03:42
3

Acid Rain

3 mentions
73
04:44
4

Demonic Depression

2 mentions
79
03:58
5

In the Barn of the Goat Giving Birth to Satan’s Spawn in a Dying World of Doom

3 mentions
78
04:18
6

Time Will Heal

3 mentions
57
04:45
7

Better Be Fueled than Tamed

1 mention
04:01
8

At the End of the Sirens

1 mention
100
05:14
9

Lonely Fields

2 mentions
26
04:52
10

Enlighten the Disorder (By a Monster’s Hand Part 2)

1 mention
03:42

What Critics Are Saying

Deep insights from 5 critics who reviewed this album

Critic's Take

Volbeat keep mining the strange seam between rockabilly and metal on God Of Angels Trust, and the best songs - notably “At the End of the Sirens” and “By A Monster’s Hand” - showcase that blend with hooks and jolting tempo shifts. Jeremy Lukens writes in a clear, descriptive register, noting how the band cobbles parts together and records live, which gives tracks like “Devils Are Awake” and “Demonic Depression” those abrupt, satisfying contrasts. The album’s real strengths are its earworms and theatrical imagery, so the best tracks are the ones marrying breezy choruses to menacing riffs. Overall the record is unnerving and accessible at once, a Volbeat record that leans into campy, apocalyptic storytelling while remaining singable.

Key Points

  • The best song is memorable for abrupt tempo shifts and catchy hooks, making “At the End of the Sirens” the highlight.
  • The album’s core strength is Volbeat’s ability to meld rockabilly swagger and brutal metal with macabre, cinematic lyrics.

Themes

genre fusion horror imagery contrasts of light and dark rockabilly-metal fusion jarring transitions
60

Critic's Take

Keep a notebook handy, because on God Of Angels Trust Volbeat dole out little salutes to Metallica and Slayer while still sounding like themselves. The reviewer hears a surprisingly varied return, praising the band for tipping the hat rather than stealing, and noting a looser, quicker approach to writing and studio time. That shift makes tracks stand out for their immediacy, so queries about the best songs on God Of Angels Trust land on those moments where homage and Volbeat’s DNA collide. The best tracks - the ones that hit hardest here - are the moments of clear tribute and muscular rockabilly-meets-thrash swagger.

Key Points

  • The best moments are where Volbeat blends tribute to Metallica/Slayer with their distinctive sound.
  • The album’s core strengths are variety and immediacy from a quicker, less laboured production.

Themes

homage to Metallica and Slayer return to roots variety versus polish quick production

Critic's Take

Volbeat return with God Of Angels Trust, a record that showcases the best songs in its arsenal such as “Acid Rain” and “Time Will Heal” with sheer, radio-ready melody and arena-sized choruses. The reviewer's voice insists that “Acid Rain” carries a yearning, Springsteen-like verse that detonates into a massive chorus, while “Time Will Heal” is praised as an automatic arena anthem. At the same time tracks like “Demonic Depression” earn approval for monstrous riffs but the album overall is described as reliable rather than revolutionary. The result answers plainly which are the best tracks on God Of Angels Trust - the tuneful anthems stand out even as the band are urged to mix things up next time.

Key Points

  • The best song, "Acid Rain", is best because its yearning verses and massive chorus showcase Volbeat's melodic gift.
  • The album’s core strengths are strong songcraft and arena-ready, radio-friendly anthems grounded in a metal-meets-rock formula.

Themes

blend of metal and rock'n'roll commercial vs metal past songcraft and arena-ready anthems need for innovation
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70

Critic's Take

Volbeat's God Of Angels Trust reads like a defiant comeback, and the best songs prove it: “Acid Rain” and “In the Barn of the Goat Giving Birth to Satan’s Spawn in a Dying World of Doom” stand out. The reviewer writes with blunt, celebratory confidence, noting that “Acid Rain” taps radio polish while the barn-burning title track absolutely rips, both showcasing the band sharper and more deliberate. They praise Michael Poulsen's commanding performance and the tighter songwriting, which makes those best tracks land harder. Even with a few missing classic earworms, these songs crystallize why the record feels like a greatest-hits collection of new material.

Key Points

  • The best song is the barn-burning title track because its chaotic, glorious excess 'absolutely rips' and channels the band’s strongest era.
  • The album’s core strengths are a tighter, more focused sound, commanding vocal performance, and a distilled blend of rockabilly rhythms and galloping metal crunch.

Themes

comeback resilience after lineup change leaner, focused sound rockabilly-metal blend anthemic hooks