Westside Cowboy It Goes On

Critic's Take

On Westside Cowboy's It Goes On the best songs coalesce into intimate anthems rather than arena-ready singles, and it is “Dobro” that most clearly proves the point. The reviewer leans into the warm DIY barn of the record while pointing to upbeat distillations like “Kick Stones (The Boys)” and the wistful rush of “Paperchains” as evidence of the band's claim to the hype. There is a knife-edge youthfulness across tracks such as “Worried Age” and “Coyote” that sells why listeners will search for the best songs on It Goes On - the album rewards repeated plays with subtle harmonic dividends.

Key Points

• ‘Dobro’ is the best song for its impeccable harmonic vocals and the moment the band "click it back into gear".
• The album's core strengths are its warm DIY production, youthful urgency, and indebted yet distinct indie revivalism.

Critic's Take

Westside Cowboy arrive on It Goes On with an unapologetic energy, and the best songs - notably “Kick Stones (The Boys)” and “Worried Age” - crystallise the record's blend of social consciousness and Gen-Z anxiety in the band’s unmistakeable harmonies. Seth White’s tone is celebratory and observant, praising how tracks like “Dobro” and “Pin Up Boys” swap vocal duties to keep the best tracks on It Goes On feeling fresh and immediate. The record’s heartland moments and cathartic crescendos make the best songs sound like communal rituals, rude and tender at once. Overall, the review frames these standout tracks as proof that this young band can translate live chemistry into studio immediacy while addressing weighty themes without posturing.

Key Points

• The best song, "Kick Stones (The Boys)", distills the band’s mission with social consciousness and catchy structure.
• The album’s core strengths are its communal harmonies, candid lyrics about anxiety, and authentic indie-rock immediacy.

Themes

Critic's Take

Westside Cowboy sound like a band who have bottled their live fizz on It Goes On, and the best songs on It Goes On prove it. The singles “Pin Up Boys” and “Kick Stones (The Boys)” carry the baton with intoxicating momentum and singalong immediacy that make them the album's standout tracks. Elsewhere, quieter moments such as “You Could Have Died There On The Dancefloor” give the record emotional heart, as the band make their peace with panic and imperfection.

Key Points

• The best song is "Kick Stones (The Boys)" for its intoxicating momentum and live-tested singalong energy.
• The album’s core strengths are live-band chemistry and approachable, everyday imagery that frames youthful uncertainty.

Themes

Critic's Take

Westside Cowboy’s It Goes On bristles with guitar music that feels both nostalgic and freshly urgent, and the review points squarely to best songs like “Kick Stones (The Boys)” and “Big Wheels” as exemplars of that energy. The writer lingers on “Kick Stones (The Boys)” for its looping, whirring guitars that bloom into an all-enveloping wall of noise, and on “Big Wheels” for being a gorgeous existential ponderer with blissful rhythms. Also singled out as among the best are “Take My Leaving As I Love You” for its country-tinged balladry and “Pin Up Boys” for the band letting loose, which together show why queries about the best tracks on It Goes On keep returning to these songs. The tone is celebratory but precise, arguing that the album will be remembered for its brilliant guitar work and a handful of standout tracks that carry its emotional weight.

Key Points

• The best song is a noisy, all-enveloping rocker like "Kick Stones (The Boys)" because it crystallises the album's guitar-driven brilliance.
• The album's core strengths are brilliant guitar work, dynamic shifts between racket and balladry, and confident, nostalgic songwriting.

Themes

Critic's Take

Westside Cowboy arrive on It Goes On with a confidence that never feels smug, and the best songs confirm their leap forward: “Kick Stones (The Boys)” opens with urgent riffing that stakes a claim, while “Coyote” shows their country-leaning heart in a Big Thief-ish way. The result is a debut where the best tracks on It Goes On feel fully formed and hard to shrug off.

Key Points

• The best song is the opener because its urgent riffing announces the band’s confident leap forward.
• The album’s core strengths are assured musicianship, a blend of British and country influences, and consistent momentum despite a mid-album lull.

Themes

Critic's Take

Westside Cowboy’s It Goes On is a bighearted debut that finds its best tracks in communal harmony rather than flashy reinvention, notably “Kick Stones (The Boys)” and “Worried Age”. Waddell’s ear lingers on the way “Kick Stones (The Boys)” lets three voices congeal and how “Worried Age” and opener-turned-peak tracks build patiently rather than flinch for cheap crescendos. He flags “Coyote” and “Patchwork” as the album’s quieter experiments, one a requiem, the other a near-instrumental that tips into cliché. Overall the review celebrates the warmth, DIY sincerity and communal spirit that make these the best songs on It Goes On for listeners seeking friendship-woven Britainicana.

Key Points

• The best song is “Kick Stones (The Boys)” because its three-part vocal harmonies and opener status crystallise the record's warmth.
• The album’s core strengths are its DIY authenticity, communal vocal interplay, and warm Britainicana influences.

Themes

Critic's Take

Westside Cowboy make It Goes On feel like a permanent near-sunset, where the best songs - “Patchwork”, “Kick Stones (The Boys)” and “You Could Have Died There On The Dancefloor” - lift into swarms of warm feeling before crashing. The record is taut yet fuzzy, guitar textures and chiming synths pushing instrument-by-instrument builds that turn small ideas into an irresistible whole. When they hit it, as on “Patchwork” or the grinning instrumentals of “Paperchains”, the rush is joyous; only on “Pin Up Boys” does the band feel a touch too invested in itself. Overall, the album's sunlit melancholy and celebratory endings make these tracks the clear best tracks on It Goes On.

Key Points

• Patchwork is the best song because it exemplifies the album's instrument-by-instrument build and warm climactic payoff.
• The album's core strengths are its taut yet fuzzy guitar textures, chiming synths, and joyous instrument-led crescendos.

Themes

Critic's Take

The best songs on It Goes On are those that convert familiar indie tropes into feverish life, especially “Pin Up Boys” and “Well Done Kid, You Did It”. Tom Breihan's review revels in the album's headlong joy and explosive build, praising how “Pin Up Boys” detonates from mutter to anarchic chorus and how “Well Done Kid, You Did It” becomes a storm of drums and overlapping voices. The record's strength is its ability to feel both homage and invention, with moments like the surfy leads on “Coyote” and the collapsing-then-returning trick on “Paperchains” that prove why these are the best tracks on It Goes On. Breihan sounds exhilarated and convinced that these songs mark Westside Cowboy as an inspiring new band rather than a mere pastiche.

Key Points

• The best song is “Pin Up Boys” because of its explosive lift from muttered verses to an anarchic, howling chorus.
• The album's core strength is its ability to remake familiar indie-rock ingredients into feverish, joyous noise with compelling builds.

Themes