![So Much Country ‘Till We Get There [EP] by Westside Cowboy](https://assets.chorus.reviews/cdn-cgi/image/width=400,quality=85,format=webp,fit=scale-down/images/westside-cowboy/so-much-country-till-we-get-there-ep/1a18c5ac-0012-5d64-9e48-72ca9e3e8331.jpg)
Westside Cowboy So Much Country ‘Till We Get There [EP]
Released Jan 16, 2026 Universal-Island Records Ltd.
Early read 2 professional reviews Updated Feb 1, 2026
Mostly positive consensus
Early read based on 2 professional reviews. Westside Cowboy's So Much Country ‘Till We Get There [EP] announces a compact, confident step toward Britainicana that channels college-rock vigor and thoughtful folk songwriting.
How ChoruScore worksCritics' Top Tracks
The songs critics returned to most
The Wahs
1 critic mention
“The Wahs, which is maybe the standout, is a lean garage rocker” — The Skinny
Strange Taxidermy
1 critic mention
“Opener Strange Taxidermy is haunting and atmospheric” — The Skinny
Can't See
1 critic mention
“Can’t See and Don’t Throw Rocks are both taut, melodic indie rockers” — The Skinny
Full critic consensus
Westside Cowboy's So Much Country ‘Till We Get There [EP] announces a compact, confident step toward Britainicana that channels college-rock vigor and thoughtful folk songwriting. Across its near-15-minute span the band leans into live energy and layered harmonic vocals, producing moments of sly urgency and widescreen melody that critics flagged as signs of real promise.
Professional reviews offer a generally positive, if measured, consensus: the EP earned a 74/100 consensus score across 2 professional reviews, with praise directed at the taut indie-rock drive of “Can’t See” and “Don’t Throw Rocks” and the haunting opener “Strange Taxidermy”. The Skinny singles out “The Wahs” as a lean, euphoric centerpiece and emphasizes the record’s vocal layering as its sharpest weapon. Reviewers consistently note the record’s brevity as an asset, concentrating the band’s strengths into a focused statement rather than a sprawling debut.
Not all outlets unpack the songs in detail, so while critics agree the EP is promising, some coverage remains cursory rather than exhaustive. Still, the critical consensus suggests that fans seeking the best songs on So Much Country ‘Till We Get There [EP] should begin with “Strange Taxidermy” and “The Wahs”, then explore the taut momentum of “Can’t See” and “Don’t Throw Rocks”. For readers weighing whether the EP is worth a listen, the consensus score and reviewers' notes point to a rewarding, concise showcase of Westside Cowboy's evolving sound.
Track Ratings
How critics rated each track, relative to this album (0-100). Only tracks that made critics feel something are rated.
Strange Taxidermy
Can't See
Don't Throw Rocks
The Wahs
In The Morning
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What Critics Are Saying
Deep insights from 1 critic who reviewed this album
Critic's Take
Westside Cowboy make a vivid case for their buzz on So Much Country ‘Till We Get There, where opener “Strange Taxidermy” sets a haunting mood and “The Wahs” emerges as a lean, euphoric centerpiece. Joe Goggins writes with sure-footed enthusiasm, praising the band’s knack for taut indie rock on “Can’t See” and “Don’t Throw Rocks” while flagging those layered, harmonic vocals as the record’s sharpest weapon. The EP’s brevity only underlines how much promise is packed into its near-15-minute running time, so readers asking for the best songs on So Much Country ‘Till We Get There should start with “Strange Taxidermy” and “The Wahs”.
Key Points
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The Wahs is the best song for its lean garage energy and euphoric climax built on layered vocals.
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The EP's strengths are confident songwriting, a blend of college-rock and thoughtful folk, and striking harmonic vocals packed into a brief runtime.