White Reaper Only Slightly Empty
White Reaper's Only Slightly Empty arrives as a purposeful pivot, marrying the band's garage-punk roots with 90s grunge weight and a newfound melodic clarity. Across two professional reviews the record earned a 75/100 consensus score, and critics point to a deliberate balance between hook-driven power pop and heavier, emotionally charged passages that suggest reinvention rather than retreat.
Reviewers consistently single out Coma and Honestly as the album's clearest sparks, with Blue 42 noted for its deeper, melancholic sweep; those standout tracks illustrate how catchy choruses sit beside ragged vocals and metallic riffage. Critics praise the way opener sequences combine frenetic drive with breathing-room passages, and they highlight themes of loss and adaptation, growth and maturity, and a deliberate blend of genre touchpoints from Cheap Trick/Weezer-style hooks to harder-edged grunge dynamics.
While one review frames the collection as a grower that feels only slightly incomplete, the other emphasizes its emotional heft and popcraft, so the critical consensus is tempered praise rather than unqualified acclaim. In short, Only Slightly Empty reads as a convincing, improvised next step for White Reaper—worth hearing for fans curious about the best songs on Only Slightly Empty and anyone tracking the band's reinvention—and sets up the detailed reviews below for readers who want to know what critics say about the record.
Critics' Top Tracks
The standout songs that made critics take notice
the overdriven dirge "Blue 42" is one of the album's strongest songs
Track Ratings
How critics rated each track, relative to this album (0-100). Only tracks that made critics feel something are rated.
Coma
Blink
Honestly
Freakshow
Eraser
Blue 42
Enemy John
Rubber Cement
Touch
What Critics Are Saying
Deep insights from 3 critics who reviewed this album
Critic's Take
Only Slightly Empty is quintessential White Reaper: sunlit hooks and punchy guitar that still know how to get heavy when needed. The best songs on Only Slightly Empty — notably “Coma,” “Honestly,” and the deeper “Blue 42” — show how the band can marry big choruses to real emotional heft. The opening trio announces their intent with metallic riffage, emo-punk drive and one of their poppiest melodies yet, while the back half proves they can turn the dial to melancholy without losing their knack for melody. It’s a record that balances Cheap Trick/Weezer-friendly hooks with surprising depth.
Key Points
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“Blue 42” is the best song because it combines plaintive vocals with overdriven dynamics and is called one of the album's strongest songs.
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The album’s core strength is marrying infectious hooks and power-pop guitar with surprising emotional depth and stylistic variety.
Themes
Critic's Take
Jazz Hodge hears Only Slightly Empty as a reinvention rather than a defeat, praising tracks like "Coma" and the electronic flirtations on "Honestly" as the album’s clearest sparks. The review’s voice—wry, affectionate and candid—frames the record as a grower: frenetic openers, breathing-room passages and Tony Esposito’s ragged vocals glue much of it together. For listeners asking 'best songs on Only Slightly Empty', the critic naturally points to "Coma" as the pace-setter and "Honestly" for its glimmers of new direction, even as the whole feels only slightly incomplete.
Key Points
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"Coma" is the standout as a frenetic, bulldozing opener that sets the album’s tone.
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The album’s core strength is reinvention: breathing-room arrangements and Tony Esposito’s ragged vocals give it identity despite lineup loss.