Wizkid Morayo
Released Nov 22, 2024 Starboy/RCA Records
Consensus forming 3 professional reviews Updated Dec 29, 2025
Broadly positive consensus
Consensus is still forming across 3 professional reviews. Wizkid's Morayo opens as both celebration and elegy, folding sunlit Afrobeats grooves into private moments of grief and gratitude to create a record that mostly comforts rather than shocks.
How ChoruScore worksCritics' Top Tracks
The songs critics returned to most
Bend
1 critic mention
“the highlight of this section is ‘Bend’ as the thumping hand drums take control” — New Musical Express (NME)
A Million Blessings
2 critic mentions
“A Million Blessings’ sees gentle pianos and string quartets strut around the bubbling baseline” — New Musical Express (NME)
Bad For You (feat. Jazmine Sullivan)
2 critic mentions
“the inclusion of Jazmine Sullivan on ‘Bad For You’ is inspired” — Clash Music
Full critic consensus
Wizkid's Morayo opens as both celebration and elegy, folding sunlit Afrobeats grooves into private moments of grief and gratitude to create a record that mostly comforts rather than shocks. Across three professional reviews, critics point to the album's lush production and seamless fusion of afrobeat, R&B and dancefloor elements as its defining strengths, with an emphasis on intimacy and maturity born from the project’s dedication to family and memory.
The critical consensus earned a 83.33/100 score across 3 professional reviews, and reviewers consistently praised standout tracks as touchstones: “A Million Blessings” recurs as the album's emotional center, while “Bend” is singled out for rhythmic payoff. Collaborations also register strongly - “Bad For You (feat. Jazmine Sullivan)” and “Piece of My Heart” (Brent Faiyaz) appear in multiple narratives for expanding Wizkid's lane without derailing cohesion. Critics note the album's dance-leaning cuts like “Bad Girl (feat. Asake)” and trumpet-accented gems such as “Karamo” as moments that keep the jubilant pulse alive.
That praise is tempered by recurring observations about cohesion versus monotony. Several reviewers admired the record's warmth and craftsmanship but flagged recycled refrains and a cyclical softness that hold it back from bolder statements. Still, the prevailing view across professional reviews frames Morayo as a mature, heartfelt collection—a must-listen for those seeking the best songs on the record and a clear example of Wizkid balancing Afrobeats roots with R&B intimacy. For readers asking whether Morayo is good, the critic consensus suggests it is a rewarding, if restrained, addition to his catalog.
Track Ratings
How critics rated each track, relative to this album (0-100). Only tracks that made critics feel something are rated.
Troubled Mind
Karamo
Kese (Dance)
Bad Girl (feat. Asake)
Time
Piece of My Heart (feat. Brent Faiyaz)
Break Me Down
Bend
A Million Blessings
Après Minuit (feat. Tiakola)
Bad For You (feat. Jazmine Sullivan)
Soji
Don't Care
Slow (feat. Anaïs Cardot)
Lose
Pray
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What Critics Are Saying
Deep insights from 4 critics who reviewed this album
Critic's Take
Wizkid’s Morayo finds its best moments in the dance-leaning cuts and tender R&B turns, with “Bend” and “A Million Blessings” standing out as the album’s real emotional and rhythmic high points.
Key Points
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Bend is the best song for its commanding hand drums and irresistible rhythmic pull.
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The album’s core strengths are its blend of jubilant Afrobeats dancefloor energy and intimate, grief-filled tribute.
Themes
Critic's Take
Wizkid's Morayo feels like a quiet revelation, a record written in honour of his mother that balances sunlit grooves and inward reflection. The reviewer's voice lingers on the highs - “Break Me Down” is called fantastic, “A Million Blessings” dares to get intimate, and the irreverent charm of “Don't Care” creeps under your skin - each cited as among the best tracks on Morayo. Overall the album is framed as Wizkid at his most honest and mature, a subtle yet striking set of songs that reward attention.
Key Points
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‘Break Me Down’ stands out as the album's most celebrated moment, called "fantastic" and a soaring peak.
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The album's core strengths are its emotional subtlety, mature songwriting, and well-integrated features that expand his sound without overpowering it.
Themes
Critic's Take
Conteh luxuriates in the album's "lush" production and real instrumentation while noting a softness that makes tracks like “Kese (Dance)” and “Time” feel like warm vignettes rather than arena-sized statements. Still, the review keeps returning to repetition - reused refrains and a cyclical feel - which tempers the acclaim and keeps the album from feeling fully daring.
Key Points
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The album's core strengths are its warm, mature production, live instrumentation, and curated guest performances despite occasional repetitiveness.
Themes
