Worm Necropalace
Worm's Necropalace announces itself as an operatic, gothic horror spectacle that pushes the band's synth-laced doom-death into widescreen grandeur. Across three professional reviews, critics praise the record's blend of epic grandeur, melodically driven lead guitars, and theatrical spookiness, and they point to several extended centrepieces as proof the band has outstretched its previous scope.
The critical consensus is strong: Necropalace earned an 88.33/100 consensus score across three professional reviews, with reviewers consistently highlighting the best songs as the title track “Necropalace”, the closing epic “Witchmoon: The Infernal Masquerade (feat. Marty Friedman)”, “The Night Has Fangs”, “Halls of Weeping”, and “Dragon Dreams”. Critics note how the ten- and fourteen-minute pieces marry IMMORTAL-style fury and doom-laden weight with orchestral passages, synth and keyboard atmospherics, and virtuoso solos - Marty Friedman’s contribution to “Witchmoon: The Infernal Masquerade (feat. Marty Friedman)” being repeatedly singled out as a sealing flourish. Reviewers agree the band balances cinematic excess with genuine melodic payoff, producing moments of gloomy grandeur and piano-swept beauty without losing their greasy grime.
While some accounts frame the record as almost unmanageably overblown, the prevailing view is celebratory: critics praised Worm's fusion of black metal elements, theatrical melodrama, and vampiric folklore imagery as the qualities that make Necropalace a standout heavy metal statement. For readers asking what the best songs on Necropalace are, the consensus points to the title track, “Witchmoon: The Infernal Masquerade (feat. Marty Friedman)”, “The Night Has Fangs” and “Halls of Weeping” as the record's defining moments — the hooks and grand gestures that justify seeking out the full collection.
Critics' Top Tracks
The standout songs that made critics take notice
Witchmoon: The Infernal Masquerade (feat. Marty Friedman)
3 mentions
"Closing epic Witchmoon-The Infernal Masquerade earns its fourteen-minute runtime through its sheer tenacity."— Distored Sound Magazine
Halls of Weeping
3 mentions
"Halls of Weeping similarly excels, its Dark Souls-inspired atmosphere built through muddy basslines and heartbeat-resembling drum patterns"— Distored Sound Magazine
The Night Has Fangs
3 mentions
"The Night Has Fangs sees IMMORTAL’s tremolo-picked fury collide with IRON MAIDEN-style power solos"— Distored Sound Magazine
Closing epic Witchmoon-The Infernal Masquerade earns its fourteen-minute runtime through its sheer tenacity.
Track Ratings
How critics rated each track, relative to this album (0-100). Only tracks that made critics feel something are rated.
Gates to the Shadowzone (Intro)
Necropalace
Halls of Weeping
The Night Has Fangs
Dragon Dreams
Blackheart
Witchmoon: The Infernal Masquerade (feat. Marty Friedman)
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What Critics Are Saying
Deep insights from 5 critics who reviewed this album
An
Critic's Take
Worm's Necropalace is the record where their spooky, synth-laden doom-death finally unfurls into theatrical grandeur, and the best tracks prove it. The title track “Necropalace” soars with swooping leads and piano cascades, while “Halls of Weeping” dazzles with flourishes and “The Night Has Fangs” croons lush refrains that stick. This is the most beautiful Worm has ever been, greasy grime intact, and those songs are the clearest demonstrations of why the album works so well. Fans asking for the best songs on Necropalace should start with those three, which capture the album's operatic melodrama and synth-gilded heaviness.
Key Points
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The title track is the album's centerpiece for its swooping leads and piano cascades that showcase Worm's expanded melodic range.
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Necropalace's core strengths are its theatrical, synth-forward atmosphere and brilliantly interwoven guitar and keyboard melodies.
Themes
Di
Critic's Take
WORM charge into Necropalace with a cinematic, gothic horror vision where the best songs - the ten-minute title track “Necropalace” and the closing epic “Witchmoon: The Infernal Masquerade (feat. Marty Friedman)” - crystallize the band’s ambition. Jack Press praises “Necropalace” for its melodic, near-anthemic riffs that give way to bludgeoning attacks and tasteful solos, and he frames “Witchmoon: The Infernal Masquerade” as a fourteen-minute grand finale sealed by Marty Friedman’s solos. Other highlights like “The Night Has Fangs” and “Dragon Dreams” earn notice for marrying IMMORTAL-style fury and orchestral passages to doom-laden weight, making the best tracks on Necropalace feel both cinematic and ruthlessly heavy.
Key Points
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The title track is best for its masterful blend of anthem-like melodies, heavy rhythm assaults, and concise guitar solos.
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The album’s core strengths are its cinematic gothic atmosphere, folk-horror lyricism, and ambitious fusion of extreme metal subgenres.
Themes
Bl
Critic's Take
Worm's Necropalace is presented as a huge, almost unmanageably overblown triumph, and the reviewist leans into that spectacle when naming the best tracks. The write-up singles out “Halls of Weeping” and “The Night Has Fangs” for their sublime balance of vampiric majesty and otherworldliness, while praising “Dragon Dreams” as a sumptuous colossus that fills its 12-minute duration with glittering, obsidian magic. The closer, “Witchmoon: The Infernal Masquerade”, is described as an overwhelming 14-minute grand finale elevated by Marty Friedman’s immaculate solo. Read together, the reviewer frames these songs as the centrepieces that make Necropalace one of the most magnificent, monumental heavy metal outpourings in recent memory.
Key Points
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The best song is the closing "Witchmoon: The Infernal Masquerade" for its overwhelming finale and Marty Friedman solo.
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The album's core strengths are its epic, cinematic scope and virtuosic, genre-blending execution.
Themes
