Necropalace by Worm

Worm Necropalace

71
ChoruScore
5 reviews
Established consensus
Feb 13, 2026
Release Date
Century Media
Label
Established consensus Mostly positive consensus

Worm's Necropalace unfolds like a gothic cinema score pumped full of black metal venom and synth-driven melodrama, and critics largely agree it delivers memorable spectacle even when it sometimes overstays its welcome. Across five professional reviews the record earned a 71/100 consensus score, with reviewers praising

Reviews
5 reviews
Last Updated
Feb 27, 2026
Confidence
88%
Scale
0-100 critics
Primary Praise

The title track is best for its masterful blend of anthem-like melodies, heavy rhythm assaults, and concise guitar solos.

Primary Criticism

Marty Friedman)” closes the set as a fourteen-minute grand finale elevated by Friedman’s solos, while “Halls of Weeping”, “The Night Has Fangs” and “Dragon Dreams” are repeatedly p

Who It Fits

Best for listeners looking for gothic horror and vampiric folklore, starting with Necropalace and Witchmoon: The Infernal Masquerade (feat. Marty Friedman).

Standout Tracks
Necropalace Witchmoon: The Infernal Masquerade (feat. Marty Friedman) Halls of Weeping

Full consensus notes

Worm's Necropalace unfolds like a gothic cinema score pumped full of black metal venom and synth-driven melodrama, and critics largely agree it delivers memorable spectacle even when it sometimes overstays its welcome. Across five professional reviews the record earned a 71/100 consensus score, with reviewers praising the album's operatic melodrama, theatrical spookiness and virtuosic guitar flourishes while noting moments of excessive grandeur and repetition.

Reviewers consistently point to a core of standout tracks that define the record's strengths. The title track, “Necropalace”, emerges as anthemic and melodic, its swooping leads and piano cascades anchoring the band's new direction. “Witchmoon: The Infernal Masquerade (feat. Marty Friedman)” closes the set as a fourteen-minute grand finale elevated by Friedman’s solos, while “Halls of Weeping”, “The Night Has Fangs” and “Dragon Dreams” are repeatedly praised for marrying gothic atmosphere, doom-death weight and symphonic sweep. Critics note the record's synth and keyboard textures, cinematic atmosphere and vampiric folklore themes as central to its impact.

The critical consensus frames Necropalace as both an evolution and a gamble for the band - a collection where melodic leads and theatricality broaden Worm's palette but sometimes tip into cinematic excess. Fans searching for the best songs on Necropalace will find strong recommendations across reviews, and the album's 71/100 across five reviews suggests it's worth attention for those drawn to grand, synth-laced black metal with a flair for the dramatic. Read on for detailed reviews that unpack where the record soars and where the spectacle becomes ornamental.

Critics' Top Tracks

The standout songs that made critics take notice

1

Necropalace

5 mentions

"When Slaughter growls “I am the dark lord, pick up the sword, reclaim my throne, live eternally,"
Distored Sound Magazine
2

Witchmoon: The Infernal Masquerade (feat. Marty Friedman)

5 mentions

"Friedman’s influence is audible throughout the album, but here his contribution cements the track as the grand finale"
Distored Sound Magazine
3

Halls of Weeping

5 mentions

"Halls of Weeping similarly excels, its Dark Souls-inspired atmosphere built through muddy basslines and heartbeat-resembling drum patterns"
Distored Sound Magazine
Friedman’s influence is audible throughout the album, but here his contribution cements the track as the grand finale
D
Distored Sound Magazine
about "Witchmoon: The Infernal Masquerade (feat. Marty Friedman)"
Read full review
5 mentions
88% sentiment

Track Ratings

How critics rated each track, relative to this album (0-100). Only tracks that made critics feel something are rated.

View:
1

Gates to the Shadowzone (Intro)

5 mentions
25
02:08
2

Necropalace

5 mentions
100
10:04
3

Halls of Weeping

5 mentions
100
09:21
4

The Night Has Fangs

5 mentions
90
07:19
5

Dragon Dreams

5 mentions
71
12:06
6

Blackheart

5 mentions
73
07:45
7

Witchmoon: The Infernal Masquerade (feat. Marty Friedman)

5 mentions
100
14:04

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What Critics Are Saying

Deep insights from 5 critics who reviewed this album

Critic's Take

WORM charge into Necropalace with a cinematic, gothic horror vision where the best songs - the ten-minute title track “Necropalace” and the closing epic “Witchmoon: The Infernal Masquerade (feat. Marty Friedman)” - crystallize the band’s ambition. Other highlights like “The Night Has Fangs” and “Dragon Dreams” earn notice for marrying IMMORTAL-style fury and orchestral passages to doom-laden weight, making the best tracks on Necropalace feel both cinematic and ruthlessly heavy.

Key Points

  • The title track is best for its masterful blend of anthem-like melodies, heavy rhythm assaults, and concise guitar solos.
  • The album’s core strengths are its cinematic gothic atmosphere, folk-horror lyricism, and ambitious fusion of extreme metal subgenres.

Themes

gothic horror vampiric folklore cinematic atmosphere genre fusion

An

Angry Metal Guy

Unknown
Feb 16, 2026
90

Critic's Take

Worm's Necropalace is the record where their spooky, synth-laden doom-death finally unfurls into theatrical grandeur, and the best tracks prove it. The title track “Necropalace” soars with swooping leads and piano cascades, while “Halls of Weeping” dazzles with flourishes and “The Night Has Fangs” croons lush refrains that stick. This is the most beautiful Worm has ever been, greasy grime intact, and those songs are the clearest demonstrations of why the album works so well. Fans asking for the best songs on Necropalace should start with those three, which capture the album's operatic melodrama and synth-gilded heaviness.

Key Points

  • The title track is the album's centerpiece for its swooping leads and piano cascades that showcase Worm's expanded melodic range.
  • Necropalace's core strengths are its theatrical, synth-forward atmosphere and brilliantly interwoven guitar and keyboard melodies.

Themes

doom-death atmosphere synth and keyboards theatrical spookiness melodic lead guitars operatic melodrama
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Sputnik Music

Unknown
Unknown date
90

Critic's Take

Here we are once again, folks - Worm return with Necropalace, a synth-driven, gothic black metal beast that favors atmosphere over sheer brutality. The narrative praises tracks that conjure fantasies and nightmares, calling the riffage and synths trance-inducing and singling out the album's flow and atmosphere as the core strengths. Overall, the reviewer frames the best songs as those that balance black metal swagger with the band’s swampy doom roots, making them the standout moments on Necropalace.

Key Points

  • The title track “Necropalace” is the best song for its Emperor-like tremolo picking and drenched synths that define the album's direction.
  • The album's core strengths are its trance-inducing riffage, synth-driven gothic atmosphere, and impeccable flow despite lengthy track lengths.

Themes

gothic black metal doom atmosphere synth-driven melodies evolution of band

Bl

Blabbermouth

Unknown
Unknown date
85

Critic's Take

Worm's Necropalace is presented as a huge, almost unmanageably overblown triumph, and the reviewist leans into that spectacle when naming the best tracks. The write-up singles out “Halls of Weeping” and “The Night Has Fangs” for their sublime balance of vampiric majesty and otherworldliness, while praising “Dragon Dreams” as a sumptuous colossus that fills its 12-minute duration with glittering, obsidian magic. Read together, the reviewer frames these songs as the centrepieces that make Necropalace one of the most magnificent, monumental heavy metal outpourings in recent memory.

Key Points

  • The album's core strengths are its epic, cinematic scope and virtuosic, genre-blending execution.

Themes

epic grandeur black metal fusion cinematic excess virtuoso performance

Critic's Take

Worm lean into theatricality on Necropalace, and the best songs - notably “Halls of Weeping” and “Blackheart” - show why that scenery matters. Sam Goldner revels in the record's campy, orchestral touches while noting the band’s newfound melodicism and Wroth Septentrion’s dynamic solos. The result is a vivid, indulgent suite that sometimes spins its spooky carousel longer than its ideas warrant.

Key Points

  • Blackheart is the best song because it breaks the album’s formula with a gothic stomp and unexpected synth textures.
  • The album’s core strength is its vivid, theatrical scene-setting and newfound melodic ambition, even when ideas overstay their welcome.

Themes

symphonic black metal theatricality and camp melody vs repetition scene-setting atmospherics