Wunderhorse Midas
Released Aug 30, 2024 Communion Records
Consensus forming 3 professional reviews Updated Oct 2, 2026
Strong critical consensus
Consensus is still forming across 3 professional reviews. Wunderhorse's Midas arrives as a taut, emotionally charged collection that trades excess for clarity, and the consensus suggests it succeeds with striking consistency.
How ChoruScore worksCritics' Top Tracks
The songs critics returned to most
Midas
3 critic mentions
“the opening title track gets down to business with a flurry of chord progressions and a barked chorus” — The Line of Best Fit
Silver
2 critic mentions
“So fill me up with silver and I'll sing one just for you” — Hot Press
July
3 critic mentions
“July’ is one of the most scorching, blindsiding rock performances from recent years.” — DIY Magazine
Full critic consensus
Wunderhorse's Midas arrives as a taut, emotionally charged collection that trades excess for clarity, and the consensus suggests it succeeds with striking consistency. Across three professional reviews the record earned a 90/100 consensus score, with critics praising the band unity and streamlined songwriting that lets Jacob Slater's raw, tempered voice carry songs like “Midas”, “Silver” and “July” to immediate effect.
Critics consistently highlight the album's balance between grunge revival and restraint, noting how pared-back arrangements amplify vulnerability and live performance energy. Reviewers from The Line of Best Fit and Hot Press point to “Midas” and “Silver” as standout tracks, praising chantable choruses and sharpened lyricism, while DIY Magazine celebrates “July” as one of the record's most blistering moments and singles out “Superman” for its soaring, quieter release of tension. Across three reviews the themes of band cohesion, raw production, and self-reflection recur, framing Midas as both a grittier rock statement and a mature step forward in craft.
While reviewers admire the project's ambition and stage-bred intensity, they also note an ongoing tension between commerciality and integrity that fuels the album's paranoid, self-scrutinising narratives. That tug-of-war gives the record its emotional heft and suggests why critics call out specific high points rather than diffuse epics. For readers weighing whether Midas is worth listening to, the critical consensus is emphatic: strong songwriting, cohesive band performance, and a handful of standout tracks make it a must-listen entry in Wunderhorse's catalogue, with the live-ready energy promising rewarding repeat plays.
Track Ratings
How critics rated each track, relative to this album (0-100). Only tracks that made critics feel something are rated.
Midas
Rain
Emily
Silver
Arizona
Superman
July
Cathedrals
Girl
Aeroplane
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What Critics Are Saying
Deep insights from 3 critics who reviewed this album
Critic's Take
Wunderhorse's Midas feels like a sharpening of intent, where the best tracks - “Midas” and “Silver” - cut to the bone with uncluttered power and chantable choruses. The reviewer delights in how songs such as “Rain” and “Superman” let Slater's voice crack and shimmer, making the best songs on Midas land with emotional weight. The voice throughout is spare but forceful, praising concise songwriting and the band's newfound unity as the engine behind these top tracks. This is an album that wears vulnerability proudly, and its best tracks reward repeat listens with raw, immediate hooks.
Key Points
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The title track “Midas” is the best song because its blunt, chantable chorus and tight arrangements set the album's tone.
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The album's core strengths are concise songwriting, raw vocal vulnerability, and the chemistry of a true four-piece band.
Themes
Ho
Critic's Take
Wunderhorse sharpen their observations on Midas, opening with the title track's portrayal of a silver-tongued suit and folding that paranoia into sharper self-scrutiny on “Silver”. The record pares back arrangements so the songwriting and Slater's raw, tempered voice can dominate - that clarity makes songs like “July” and “Silver” stand out as the best tracks on Midas. Dwyer's tone is admiring yet clear-eyed, praising refinement and ambition while pointing to the album's thematic tug-of-war between fame and authenticity.
Key Points
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The best song is "Silver" because it crystallises the album's self-critical theme with a striking lyric and tone.
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Midas's core strength is streamlined arrangements that let Slater's raw, tempered voice and focused songwriting shine.
Themes
Critic's Take
Wunderhorse’s Midas reads like a band rediscovering its muscle, the title track “Midas” propelling Jacob Slater’s Dylan-esque delivery across four relentless chords. The review savours the record’s live, rough-and-ready feel and flags “July” as one of the most scorching, blindsiding rock performances in recent years. There is praise for quieter highs too, with “Superman” noted as a soaring, subdued moment and “Aeroplane” drawing attention for Harry Fowler’s sensitive closing solo. Overall the critic frames Midas as visceral and wise, a touchstone of band cohesion and stage-bred intensity.
Key Points
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The best song is 'July' because it delivers a scorching, blindsiding rock performance that exemplifies the album's live-bred intensity.
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The album’s core strength is its raw, performance-driven cohesion that balances visceral energy with moments of restraint.