New German Cinema
New German Cinema is a period in West German cinema which lasted from 1962 to 1982, in which a new generation of directors emerged who, working with low budgets, and influenced by the French New Wave and Italian Neorealism, gained notice by producing a number of "small" motion pictures that caught the attention of art house audiences. These filmmakers included Percy Adlon, Harun Farocki, Rainer Werner Fassbinder, Peter Fleischmann, Werner Herzog, Alexander Kluge, Ulli Lommel, Wolfgang Petersen, Volker Schlöndorff, Helma Sanders-Brahms, Werner Schroeter, Hans-Jürgen Syberberg, Margarethe von Trotta and Wim Wenders. As a result of the attention they garnered, they were able to create better-financed productions which were backed by the big US studios. However, most of these larger films were commercial failures and the movement was heavily dependent on subsidies. By 1977, 80% of a budget for a typical West German film was ensured by a subsidy.
How Critics See New German Cinema
Chorus pulls the clearest critic-consensus signals out of this discography: the highest-rated record, the tightest agreement, the sharpest split, and the best place to start.
Pain Will Polish Me
2026
Highest ChoruScore in this discography at 75/100 across 4 reviews.
New German Cinema's Pain Will Polish Me stakes a singular claim for cold synth-pop and cinematic gloom, turning romantic torment and self-destruction into stark, melodic elegies. A...
Pain Will Polish Me
2026
Best balance of score, review depth, and critic agreement for a first listen.
New German Cinema's Pain Will Polish Me stakes a singular claim for cold synth-pop and cinematic gloom, turning romantic torment and self-destruction into stark, melodic elegies. A...