FKA twigs EUSEXUA Afterglow
Released Nov 14, 2025 Atlantic Records
Established consensus 8 professional reviews Updated Oct 1, 2026
Broadly positive consensus
FKA twigs's EUSEXUA Afterglow channels club nightlife and post-club comedown into a shimmering, sometimes delirious suite of songs that critics call equal parts hedonism and introspection.
How ChoruScore worksCritics' Top Tracks
The songs critics returned to most
Slushy
8 critic mentions
“But the paler "Slushy" and "Touch A Girl" waft by like secondhand smoke, leaving little lasting impression” — Pitchfork
Love Crimes
7 critic mentions
“Love Crimes simultaneously embodies the imposing noughties thump of Britney’s Work Bitch and the cathedralic 90s synths of Adamski’s Killer.” — The Skinny
Sushi
7 critic mentions
“The ballroom splendour of ‘Sushi’ – a retrospective callback to 2015 track ‘Glass & Patron’ – is the joyous, death-drop moment” — Clash Music
Full critic consensus
FKA twigs's EUSEXUA Afterglow channels club nightlife and post-club comedown into a shimmering, sometimes delirious suite of songs that critics call equal parts hedonism and introspection. Across eight professional reviews the record earned a 77/100 consensus score, and reviewers consistently point to a handful of tracks as the clearest victories: “Love Crimes”, “Slushy”, “Sushi”, “HARD”, and “Wild And Alone (feat. PinkPantheress)” emerge as the best songs on EUSEXUA Afterglow for their ability to marry Twigs' ethereal voice with propulsive, often alien production.
Critics praised the album's commitment to digitized ecstasy and post-party atmosphere, noting how club production, ambient soundscapes and drum'n'bass kicks produce moments of genuine transcendence. Reviews from Pitchfork, Rolling Stone and Hot Press highlight the opener “Love Crimes” and collaborations like “Wild And Alone (feat. PinkPantheress)” for marrying sensuality and warmth, while Clash, Resident Advisor and Slant point to “Slushy” and “Sushi” as standout cuts that find consolation and joy amid the comedown. At the same time several writers - including The Needle Drop and Resident Advisor - register a mixed note: the record sometimes reads like an EP of experiments or deluxe reworkings rather than a consistently focused LP, giving the album a vibe-over-memorability quality.
Taken together the critical consensus suggests EUSEXUA Afterglow is worth listening to for those seeking an adventurous, mood-driven follow-up in FKA twigs' catalogue; its highs are strikingly effective even if the whole occasionally favors texture and atmosphere over sustained narrative. This summary precedes deeper reviews that map the album's standout tracks, thematic preoccupations and its place alongside her earlier work.
Track Ratings
How critics rated each track, relative to this album (0-100). Only tracks that made critics feel something are rated.
Love Crimes
Slushy
Wild And Alone (feat. PinkPantheress)
HARD
Cheap Hotel
Touch A Girl
Predictable Girl
Sushi
Piece Of Mine
Lost All My Friends
Stereo Boy
Get the next albums worth your time.
Critic-backed picks in one clean digest. No clutter.
What Critics Are Saying
Deep insights from 10 critics who reviewed this album
Ho
Critic's Take
FKA twigs leans into a new digitised electronic dance language on EUSEXUA Afterglow, and the best tracks show that pivot with crystalline clarity. The opening “Love Crimes” announces the shift, her mystical whispers riding thumping club rhythms, while “Slushy” deepens the futurist palette with clicking, reverberating samples beneath echoing vocals. The collaboration “Wild And Alone (feat. PinkPantheress)” stands out for its cheerful counterpoint, Jersey club beats and unexpected warmth. These songs are the best tracks on EUSEXUA Afterglow because they balance her ethereal voice with propulsive production, making the album feel both otherworldly and grounded.
Key Points
-
“Love Crimes” is the best song because it decisively announces the album’s move into digitised electronic dance with striking contrast.
-
The album’s core strengths are its blend of otherworldly vocals and futuristic, propulsive production that keeps it grounded in tangible themes.
Themes
Critic's Take
FKA twigs's EUSEXUA Afterglow feels like an extension of that ecstatic post-club euphoria, and the best songs here - notably Love Crimes and HARD - are where she translates that energy into something primal. The reviewer's voice savours the pummeling drums of Love Crimes and the coquettish bounce of HARD, arguing these tracks are the album's clearest thrills. At the same time the record trades some of Eusexua's darker nuance for brighter, more reckless afters, which makes the standout tracks feel simultaneously triumphant and slightly lighter in emotional weight.
Key Points
-
The best song is Love Crimes because its pummeling drums and primal energy crystallize the album's post-club high.
-
The album's core strengths are its ecstatic dance production and surreal, alien-tinged reworking of familiar club rhythms.
Themes
Critic's Take
FKA twigs’s EUSEXUA Afterglow is less about peak-time catharsis and more about the afterparty’s luminous residue, and the best songs here lean into that melancholic euphoria. Slushy is a clear standout, its juddering percussion swelling to a jungle climax that locates consolation in strangers and sensation. Equally vital is Cheap Hotel, a trip-hop bombast that finds comfort in food and sex, while the ballroom splendour of Sushi supplies the album’s joyous, death-drop moment. The record excels in its foggy miasma of fractal beats and processed vocals, rewarding repeated listens for the best tracks on EUSEXUA Afterglow.
Key Points
-
‘Slushy’ is the best song for its juddering percussion and jungle climax that encapsulate the album’s afterglow.
-
The album’s core strengths are its textured post-club atmosphere, inventive production, and sensual, fragmented narratives.
Themes
Critic's Take
FKA twigs's EUSEXUA Afterglow feels like a surrender to hedonism, its best songs reveling in late-night intoxication. The reviewer singles out Love Crimes as a standout for its imposing noughties thump and cathedralic synths, while Sushi is praised for turning familiar R&B into sticky, nocturnal delirium. Lost All My Friends is framed as the album's dawn-after moment, capturing the dazed slide toward daylight.
Key Points
-
The best song is Love Crimes for its fusion of noughties thump and cathedralic synths that define the album's hedonistic pulse.
-
The album's core strengths are its vivid club-atmosphere production and the balance between euphoric dance tracks and intimate, sensual moments.
Themes
Critic's Take
FKA twigs leans into pleasure and pain on EUSEXUA Afterglow, and the review suggests its best songs are the bruising opener Love Crimes and the nostalgic Slushy. The critic dwells on how “Love Crimes” goes surprisingly hard and how Slushy uses food imagery to locate emotional comfort, making both evident best tracks on EUSEXUA Afterglow. There is also mention of a mini song cycle—from the ballroom swagger of Sushi to the disorientation of Lost All My Friends—that reinforces why these cuts stand out. The voice remains analytical but admiring, framing the album as both continuation and reflection of the artist’s earlier work.
Key Points
-
The best song is the opener "Love Crimes" because its relentless 4/4 throb and mortality imagery make it immediately striking.
-
The album’s core strengths are its continuity with Eusexua through drum'n'bass and arpeggios plus new textures like distorted guitars and pitched-up vocals.
Themes
Critic's Take
FKA twigs sounds like she’s having a blast on EUSEXUA Afterglow, and the review makes clear the best tracks are the ones that lean into that chaotic, club-inflected energy. The quieter wins include Two Shell-assisted Cheap Hotel, described as the most absorbing of the sleepier numbers, even as songs like Slushy and Touch A Girl drift by with less impact. Overall the review favors Afterglow's club-leaning highs and moody introspection, recommending listeners hunt out those standout tracks as the best songs on EUSEXUA Afterglow.
Key Points
-
The album’s strengths are its club-inflected production, contrasts between murmured melodies and heavy rhythms, and moody introspection.
Themes
Critic's Take
FKA twigs frames EUSEXUA Afterglow as the slow comedown from a rave, and the review insists the best songs sustain that twilight mood. The critic praises “Love Crimes” for its pumping EDM beats and haunting melody, spots “HARD” as probably the most infectious track, and highlights “Lost All My Friends” as the most intriguing moment in the record's dusky second half. The voice is measured and observant, noting subtle production details that make these tracks the best songs on EUSEXUA Afterglow rather than simple singles. The conclusion celebrates Twigs's winning streak, suggesting these standout tracks prove the concept succeeds overall.
Key Points
-
HARD is the album's infectious centerpiece thanks to glitchy club-pop production and gorgeous vocals.
-
The album's strengths are its detailed soundscapes and effective transition from rave energy to subdued afterglow.
Themes
Critic's Take
FKA twigs's EUSEXUA Afterglow doubles down on the personal cybernetic project she has been engineering, leaning into AI, virtual spaces and digitized ecstasy with a sly, club-ready confidence. The reviewer's ear latches onto the album's most immediate pleasures - the softly percolating collaboration Wild and Alone and the midway adrenaline rush of Predictable Girl and Sushi - as the best songs on EUSEXUA Afterglow, moments where the beats are sickest and Twigs' experiments pay off. The tone is admiring and precise, pointing listeners toward the best tracks on EUSEXUA Afterglow without exaggeration.
Key Points
-
The best song moments are the mid-album peaks "Predictable Girl" and "Sushi" where the beats are sickest.
-
The album's core strengths are its club-ready production, thematic focus on digitized desire, and precise, experimental beats.
Themes
Th
Critic's Take
Hi, everyone. The record often feels like extras and experimental afterthoughts, yet songs such as “Love Crimes” and “Piece Of Mine” still cut through with strong production and emotional clarity. If you are searching for the best songs on EUSEXUA Afterglow, look to those tracks for the record's clearest pleasures, even as the album drifts into uneven territory.
Key Points
-
The best song is "Hard" because it combines eerie production, clear beats, and intense sensuality that the reviewer calls a highlight.
-
The album's core strengths are adventurous experimentation and moments of strong production, but it is uneven and often feels like extras or afterthoughts.
Themes
Re
Critic's Take
FKA twigs's EUSEXUA Afterglow is a purposeful comedown that privileges human quirks over club perfection, and the best tracks - “Sushi” and “Slushy” - make the postgame feel more fun than the main event. The reviewer writes with the same sly, conversational wit of the piece: playful pop earworms crop up as the record's winning moments, while songs like “Cheap Hotel” and “Predictable Girl” grind the mood down. The album is sexy and spontaneous, occasionally brilliant in short bursts, but ultimately designed to fizzle rather than climax. Read as a companion to EUSEXUA, Afterglow catches a vibe more than it secures a lasting rush.
Key Points
-
The best song, "Sushi", is the album's apex because it turns earlier ideas into sparkling, stomping dance pop.
-
The album's core strength is its playful, radio-ready pop moments that make the postgame feel preferable to the main event.