LA Priest Into The Sky
Released Aug 28, 2026 Domino Recording Co.
Consensus forming 3 professional reviews Updated Oct 1, 2026
Broadly positive consensus
Consensus is still forming across 3 professional reviews. LA Priest's Into The Sky channels melancholy disco into a driving, synth-forward collection that feels like a reclaimed club record with a cinematic rearview.
How ChoruScore worksCritics' Top Tracks
The songs critics returned to most
Can't Get Enough
2 critic mentions
No Other
1 critic mention
“The speaker-rattling bassline of 'No Other' conceals a tale of lifelong infatuation and loss.” — DIY Magazine
Rayon
2 critic mentions
“Ever No’ and ‘Rayon’ sound terribly sad” — Far Out Magazine
Full critic consensus
LA Priest's Into The Sky channels melancholy disco into a driving, synth-forward collection that feels like a reclaimed club record with a cinematic rearview. Critics agree the record moves - literally and emotionally - earning a 76.67/100 consensus score across 3 professional reviews and staking out a space where danceable electronics meet emotional ambivalence.
Reviewers consistently praise the record's hooks and warm machine textures, naming “Into The Sky”, “Can’t Get Enough”, “Rayon” and “Ever No” among the best songs on Into The Sky. Dork applauds the kinetic opener “Rayon” and the earworm confession of “Ever No”, while DIY Magazine highlights the speaker-rattling bass of “No Other” and calls the title track pure fist-pumping brilliance. Far Out frames several cuts as emotional signposts, noting how “Can’t Get Enough” channels anger while “Ever No” and “Rayon” register profound sadness, all tethered to a steady synth-driven groove.
While the consensus celebrates catchy hooks, vintage-gear nostalgia and the club-as-spiritual-space vibe, critics also register a purposeful directionlessness that can feel at once liberating and unresolved. Across these professional reviews the record emerges as a warmly mechanical, danceable statement that may not please those seeking pop neatness, but rewards repeated plays and stakes a persuasive claim in LA Priest's catalog.
For a deeper breakdown of what critics say about Into The Sky and to find the best tracks to start with, read the full reviews below.
Track Ratings
How critics rated each track, relative to this album (0-100). Only tracks that made critics feel something are rated.
Rayon
No Other
Voices
Breathe
Ever No
Can't Get Enough
Sailor
Into The Sky
Time
Message
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What Critics Are Saying
Deep insights from 3 critics who reviewed this album
Critic's Take
LA Priest's Into The Sky is built to move, and the reviewer's voice makes that plain: “Rayon” gets things moving immediately, a kinetic opener that sets the tone. He highlights “Ever No” for its gooey confession and earworm lyric, and praises “Can’t Get Enough” for a pleasing LCD Soundsystem flash, which explains why listeners search for the best songs on Into The Sky. Overall the piece reads like a recommendation to seek out the best tracks on Into The Sky and let the record loop, because the hooks keep demanding another listen.
Key Points
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The best song is 'Rayon' because it immediately establishes the album's danceable momentum.
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The album's core strengths are hook-heavy electronic production, nostalgic synth work, and consistent dance-floor focus.
Themes
Critic's Take
LA Priest\'s Into The Sky reads like a homecoming, a record that reclaims club energy with heart. Chris Taylor hears the speaker-rattling bass of “No Other” and the ethereal drift of “Time” as proof that the best tracks on Into The Sky balance machine grit with surprising warmth. The title track “Into The Sky” is called out as pure fist-pumping brilliance, Sam whispering reassurances over an insistent pulse, which makes it one of the best songs on the album. It is not quite the floor-filler its collaborators might promise, but it is extremely satisfying and potentially his finest work as LA Priest.
Key Points
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The title track “Into The Sky” is the best song for its anthemic, reassuring pulse and club-ready energy.
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The album's core strengths are marrying electronic, four-to-the-floor mechanics with surprising human warmth and emotional depth.
Themes
Fa
Critic's Take
LA Priest keeps you behind the wheel on Into The Sky, a synth-heavy, melancholy-disco record that feels built for motion. The reviewer's voice fixates on mood and atmosphere, pointing to “Can’t Get Enough” as the standout for its anger and to “Ever No” and “Rayon” for their terrible sadness. There is a steady groove throughout the LP that rewards repeated plays, and those three tracks act as emotional signposts that explain why listeners search for the best songs on Into The Sky and the best tracks on Into The Sky. Read as a driving soundtrack, these songs are the clearest destinations on a record that delights in being directionless.
Key Points
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The album’s core strength is a persistent synth-disco mood that creates emotional landmarks despite deliberate directionlessness.