Odyssey by Nubya Garcia
82
ChoruScore Critic consensus / 100

Released Sep 20, 2024 Concord Jazz

Established consensus 6 professional reviews Updated Oct 2, 2026

Broadly positive consensus

Nubya Garcia's Odyssey announces itself as a late-night, widescreen jazz journey where orchestral ambition meets improvisational heat.

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Critics' Top Tracks

The songs critics returned to most

01

Dawn [ft. esperanza spalding]

5 critic mentions

“Whilst ‘Dawn’ ft Esperanza Spalding opens up this new world to us, sitting proudly as that first track.” — Clash Music
02

Odyssey

5 critic mentions

“When describing what drives ‘Odyssey’, Garcia shared that “it represents the notion of truly being on your own path” — Clash Music
03

The Seer

5 critic mentions

“The single is cinematic, explorative and shakes free the notion that Garcia’s notable success could ever see her relinquish her creative freedom” — Clash Music
Full critic consensus

Nubya Garcia's Odyssey announces itself as a late-night, widescreen jazz journey where orchestral ambition meets improvisational heat. Across six professional reviews the record earned an 81.67/100 consensus score, and critics consistently point to tracks like “Dawn [ft. esperanza spalding]”, the sprawling title track “Odyssey”, and “The Seer” as the most arresting moments on the record. Those centerpiece songs anchor an album that balances cinematic string arrangements with propulsive, rhythm-driven performances.

Reviewers agree that Garcia's compositional growth and arrangement choices define the album's strengths. Pitchfork and The Line of Best Fit highlight the Cheshire-like sweep of strings and the band’s virtuosity as elevating moments, while Clash and Far Out underscore the record’s introspective, late-night mood and successful genre fusion - from R&B-tinged “Set It Free” to the buoyant, collaborative “We Walk In Gold [ft. Georgia Anne Muldrow]”. Critics repeatedly praise the way orchestral flourishes lift melodies into climactic passages, and they note Garcia’s confidence in stretching form without losing cohesion.

Nuance appears in reactions to vocal features and the album’s scale: The Observer found some guest vocals mildly distracting amid the orchestral sweep, while other reviewers welcomed those collaborations as enhancing emotional range. Across professional reviews the consensus suggests Odyssey is an ambitious, often thrilling statement that rewards concentrated listening, offering both standout songs and a unified compositional arc. For those wondering whether Odyssey is worth exploring, the record’s critical reception and repeat-worthy tracks point to a richly realized chapter in Garcia’s evolving catalogue.

Track Ratings

How critics rated each track, relative to this album (0-100). Only tracks that made critics feel something are rated.

View:
1

Dawn [ft. esperanza spalding]

5 mentions
100
04:52
2

Odyssey

5 mentions
100
07:23
3

Solstice

3 mentions
80
04:49
4

Set It Free

5 mentions
100
04:05
5

The Seer

5 mentions
100
05:02
6

Odyssey - Outerlude

2 mentions
31
00:47
7

We Walk In Gold [ft. Georgia Anne Muldrow]

5 mentions
100
03:54
8

Water's Path

5 mentions
92
04:01
9

Clarity

5 mentions
99
06:15
10

In Other Words, Living

3 mentions
60
04:07
11

Clarity - Outerlude

2 mentions
—
01:38
12

Triumphance

5 mentions
75
05:54

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What Critics Are Saying

Deep insights from 7 critics who reviewed this album

Critic's Take

The reviewer lingers on how the Chineke! Overall the album's cohesion and moments of lyrical saxophone, especially on “Clarity”, explain why these tracks emerge as the most compelling.

Key Points

  • The best song is driven by Chineke!
  • The album's core strengths are orchestral string integration, rhythmic drive, and seamless genre fusion.

Themes

strings/orchestration genre fusion jazz tradition vs innovation collaboration/guest vocalists rhythmic drive

Critic's Take

Oinonen's prose praises the majestic strings that lift “Dawn” while also admiring the title track's virtuoso dexterity and sprawling scope. The write-up highlights rhythm-driven standouts such as “The Seer” and the lyrical, Blues-y beauty of “Clarity”, arguing these best tracks show Garcia's blend of tradition and adventurous genre-fusing. Overall the narrator frames these songs as emblematic of an album that is both unbound and firmly rooted in jazz.

Key Points

  • The album's core strengths are its string orchestrations, rhythmic drive, and seamless genre fusion.

Themes

string orchestrations genre fusion jazz tradition vs innovation rhythmic drive

Critic's Take

Ben Cardew’s prose treats the record as a wilder, more expansive work, praising how Garcia folds in layered arrangements and lets her adventurous instincts run free. Overall the critic frames the best songs on Odyssey as those that reward concentration, revealing new highlights with every spin.

Key Points

  • The album’s core strengths are its richly layered orchestral arrangements, sustained intensity, and rewarding complexity that reveals new highlights on repeat listens.

Themes

orchestral arrangements ambition and scope intensity and complexity jazz tradition and experimentation

Critic's Take

The review elevates “The Seer” as cinematic and explorative, a proof that Garcia refuses to relinquish creative freedom. Taken together, the best tracks on Odyssey reveal Garcia’s melding of classical, jazz, dub and R&B into a soundtrack for daydreams and potential.

Key Points

  • The album’s core strengths are its cinematic, introspective fusion of jazz, classical, dub and R&B and its collaborative female vocals.

Themes

journey introspection cinematic jazz fusion female collaboration creative independence

Critic's Take

Nubya Garcia's Odyssey lives in late-night romanticism, where the best tracks - “Odyssey” and “Solstice” - stand out for their timeless compositional sweep and muscular performances. The record is crafted to be heard as a whole, yet these songs provide the clearest proof of Garcia's vision and why they answer the question of the best tracks on Odyssey.

Key Points

  • The best song, "Odyssey", is the album's standout for its timeless composition and infectious piano work.
  • The album’s core strengths are grand orchestral arrangements, strong band interplay, and careful album construction despite a faltering final track.

Themes

late-night jazz orchestral arrangements danceable jazz album cohesion and flow

Critic's Take

Nubya Garcia’s Odyssey feels like a composer stretching out, and Kitty Empire hails the record’s string-laden sweep while reserving admiration for sharper, string-free attacks. Empire praises Garcia’s deepening composing and arranging gifts throughout, making clear that the best songs on Odyssey are those that foreground her orchestral vision and instrumental singularity.

Key Points

  • The Seer is the album’s instrumental high point, praised for its bold, string-free intensity.
  • The album’s core strengths are its orchestral ambition, Garcia’s growing compositional skill, and selective use of guest vocalists.

Themes

strings and orchestration female vocal perspectives compositional growth London jazz scene