Steve Lacy Oh yeah?
Released Jul 17, 2026 L-M Records/RCA Records
Consensus forming 4 professional reviews Updated Oct 3, 2026
Split critical consensus
Consensus is still forming across 4 professional reviews. Steve Lacy's Oh yeah?
How ChoruScore worksCritics' Top Tracks
The songs critics returned to most
show you me
1 critic mention
“Just got a word, I heard I’m a bit shitty / damn what a pity, but I smell so pretty” — Beats Per Minute
bebe
1 critic mention
“His closing remarks, on album closer ‘Bebe’, perhaps encapsulate this competency best” — New Musical Express (NME)
pure colour (feat. Erykah Badu)
2 critic mentions
Full critic consensus
Steve Lacy's Oh yeah? arrives as a provocative, often contradictory entry in his catalog, earning a 62.5/100 consensus score across four professional reviews that underline both its charms and its flaws. Critics consistently point to handfuls of standout songs that crystallize the record's appeal - notably “the feeling”, “is it cool? (feat. SZA)”, “lovesexdrugbomb (feat. Cecile Believe)”, “nice shoes / in your world” and the closer “bebe” - which turn Lacy's bedroom-pop instincts into earworm hooks even when the lyrics falter.
Across reviews, common themes recur: bitter adulthood and romantic doubt framed through frank vulnerability, a tension between pop sheen and lyrical clumsiness, and genre-blurring production that mixes alt-soul, lo-fi textures and mainstream ambition. Reviewers praised the album's intimacy and infectious hooks when Lacy lets humor and lived-in detail lead, as on “the feeling” and “nice shoes / in your world”. At the same time some critics call out moments of immaturity, fractured songwriting and ego-driven excess that undercut the record's best impulses.
What emerges from the critical consensus is a nuanced verdict: Oh yeah? contains essential, highly enjoyable moments and clear pop craftsmanship, yet remains uneven as a whole. For anyone asking whether Oh yeah? is worth a listen or what the best songs are, the critic consensus points listeners to the tracks named above as the record's most persuasive evidence of Steve Lacy's continued growth and commercial reach. Below, professional reviews tease apart why the highs feel essential and the lows feel avoidable.
Track Ratings
How critics rated each track, relative to this album (0-100). Only tracks that made critics feel something are rated.
oh yeah?
is it cool? (feat. SZA)
the feeling
pure colour (feat. Erykah Badu)
show you me
doom
nothing
lovesexdrugbomb (feat. Cecile Believe)
nice shoes / in your world
bebe
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What Critics Are Saying
Deep insights from 6 critics who reviewed this album
Critic's Take
Steve Lacy makes plain his gifts on Oh yeah?, the record’s opener “oh yeah?” and closing sigh “bebe” acting as emotional poles that map his honesty and doubt. The reviewer leans into Lacy’s knack for turning self-sabotage into lucid songwriting, praising how tracks like “doom” and “pure colour (feat. Erykah Badu)” translate personal insecurity into vivid alt-soul earworms. There is a throughline of fearlessness and regret, and these best tracks on Oh yeah? show he knows when to linger and when to move on. This is an album that meets the zeitgeist and still serves intimate parables, which is why the best songs on Oh yeah? feel both timely and deeply personal.
Key Points
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The opener “oh yeah?” is the album’s existential centrepiece and best display of vulnerability.
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Lacy’s core strength is concise, fearless self-reflection that turns personal insecurity into catchy, insightful songs.
Themes
Critic's Take
Steve Lacy's Oh yeah? is at its best when intimacy and melody collide, which is why the best songs on Oh yeah? are immediately recognizable. The reviewer's voice lingers on “nice shoes / in your world”, calling it a standout single with unforgettable lines, and on “the feeling” for its dreamy, hypnagogic tenderness. There is real praise for the way Lacy turns anxiety into summer hooks, and these best tracks underscore his knack for turning heartbreak into irresistible pop. Overall, the album's blend of lo-fi textures and soulful grooves makes the best tracks on Oh yeah? feel at once confessional and effortlessly catchy.
Key Points
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“nice shoes / in your world” is the best song for its poignant lyrics and status as the standout single.
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The album’s core strength is converting diaristic vulnerability into irresistibly catchy bedroom-pop hooks.
Themes
Critic's Take
Steve Lacy’s Oh yeah? often aims for casual charm but lands with uneven results, and the best tracks show why the album could have been sharper. The reviewer singles out “lovesexdrugbomb (feat. Cecile Believe)” for a frozen, Future-like wickedness that actually bites, and highlights the nine-minute “nice shoes / in your world” for a comic, hurt-but-pretending moment. Even when songs like “the feeling” and “is it cool? (feat. SZA)” glide, they feel vacant or by-the-books, which is why the record’s strongest moments are the ones that let Lacy’s off-the-cuff humor through. Overall, the best songs on Oh yeah? are the ones that sound lived-in rather than strategized.
Key Points
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“lovesexdrugbomb (feat. Cecile Believe)” is the best song because its warped breakdown captures wicked, memorable moments.
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The album’s core strength is Lacy’s off-the-cuff humor and occasional vivid details, but inconsistent writing and calculated polish undermine much of it.
Themes
Critic's Take
Steve Lacy's Oh yeah? reads like a brash exercise in self-sabotage, where the best tracks - notably “is it cool? (feat. SZA)” and “the feeling” - offer real pop craft amid the rot. Noah Barker writes with cutting impatience, praising the "spotless" pop ingenuity of “is it cool? (feat. SZA)” and “the feeling” even as he catalogues lyrical immaturity elsewhere. The reviewer frames these as the album's brightest moments, shining through an otherwise brittle, ego-driven mess. This is the concise answer to queries about the best songs on Oh yeah?: go to “is it cool? (feat. SZA)” and “the feeling” for what works here.
Key Points
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The best song is "is it cool? (feat. SZA)" because it showcases spotless pop songwriting amid flaws.
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The album's core strengths are gleaming guitar-pop production and occasional strong hooks, undermined by immature, fractured lyrics.
Themes
Critic's Take
Steve Lacy frames Oh yeah? as a kaleidoscopic pop statement where the best tracks reveal his range and risk-taking. The best songs on Oh yeah? are the rollicking “nice shoes / in your world” and the tender “the feeling”, each showing Lacy’s knack for turning fractured influences into fully realized hooks. On “is it cool? (feat. SZA)” and “pure colour (feat. Erykah Badu)” he expands the album’s emotional register, marrying chaos and chill in ways that make them among the best tracks on the record. The album’s closer “bebe” complicates the catharsis, leaving the listener with the very question in the title - Oh Yeah? - intact.
Key Points
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“Nice Shoes / In Your World” is the album’s emotional centerpiece for its expansive breakbeat-to-comedown arc.
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The album’s strength is its genre-splicing production and Lacy’s balance of frank humor with sincere vocal hooks.
Themes
Critic's Take
Steve Lacy’s Oh yeah? is one of the most purely enjoyable albums of the year, and the best tracks — especially “the feeling” and “is it cool? (feat. SZA)” — showcase his knack for effortless hooks and intimate production. The reviewer's breathless, conversational tone praises how songs spill out with ease while noting lyrical missteps, so the best songs on Oh yeah? read as breezy, fully realized pop pieces that still convey a diaristic intimacy. In that voice, the standout “the feeling” is framed as a clear centerpiece, while the stripped-down banger “is it cool? (feat. SZA)” is highlighted for its ideal duet chemistry. Across the album the production’s looseness and genre-blurring ambition explain why listeners looking for the best tracks on Oh yeah? will keep returning to these moments.
Key Points
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“the feeling” is the album’s standout because it pairs emotional chord changes with indelible pop hooks and effortless delivery.
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The album’s core strength is its breezy, genre-blurring production and intimate, diaristic voice despite lyrical clunkers.