Tara Clerkin Trio Somewhere Good
Released Jun 5, 2026 World of Echo
Established consensus 7 professional reviews Updated Oct 1, 2026
Broadly positive consensus
Tara Clerkin Trio's Somewhere Good unfolds as a quietly spellbinding study in texture and restraint, earning praise from critics for its melancholic, psychedelic nostalgia and inventive fusion of trip-hop, dub and folk.
How ChoruScore worksCritics' Top Tracks
The songs critics returned to most
Somewhere Good
4 critic mentions
“the arresting title track is a surreal ode worthy of late 60s Canterbury” — Clash Music
Lazy Daisy
4 critic mentions
“Lazy Daisy suspends time entirely, Clerkin's unhurried vocals drifting over a hazy dub bassline” — The Skinny
Lake Walk
3 critic mentions
“Lake Walk opens the record like the title screen of an 8-bit videogame” — The Skinny
Full critic consensus
Tara Clerkin Trio's Somewhere Good unfolds as a quietly spellbinding study in texture and restraint, earning praise from critics for its melancholic, psychedelic nostalgia and inventive fusion of trip-hop, dub and folk. Across seven professional reviews the record has amassed an 81.57/100 consensus score, with reviewers repeatedly citing the title song and “Lazy Daisy” among the album's most affecting moments. Critics note that the record rewards patient listening, where loops, sampling and minimalism reveal emotional depth rather than instant hooks.
Reviewers consistently point to a handful of standout tracks as proof of the Trio's singular sonic identity. “Somewhere Good”, “Lazy Daisy” and “Lake Walk” are named across multiple write-ups for their hypnotic repetition, textural detail and melancholic melodies; “Movin' On” and “Ups & Downs” are also singled out for dubby momentum and late-blooming arrangements. Professional reviews emphasize the album's balance of dark atmosphere and sunlit respite, from bubbling bass and Space Echo to clarinet and vibraphone touches that conjure dreamlike urban landscapes and homesick reflection.
While the consensus is broadly favorable, critics qualify their praise with notes about the album's deliberate pacing and arty leanings - pleasures that reward immersion more than immediate radio-ready gratification. In context, Somewhere Good stands as a thoughtfully crafted, genre-blending statement that advances the Trio's aesthetic and offers several of the best songs on Somewhere Good for listeners drawn to textured, mood-forward music. Scroll down for full reviews and track-by-track impressions that explain why critics agree this record is worth repeated listens.
Track Ratings
How critics rated each track, relative to this album (0-100). Only tracks that made critics feel something are rated.
Lake Walk
Lazy Daisy
Ups & Downs
Silently
There Was A Nice Sunset
Somewhere Good
Slow Island
Movin’ On
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What Critics Are Saying
Deep insights from 7 critics who reviewed this album
Critic's Take
In a voice that revels in texture and mood, Tara Clerkin Trio deliver on Somewhere Good with standout moments like “Ups & Downs” and “Lazy Daisy” that show why fans ask about the best songs on Somewhere Good. The record is arty and dubby, piling glitchy electronics and folky guitar into songs that feel both meditative and invigorating, and “Ups & Downs” in particular blossoms from late-night dub jazz into a terrifying, thrilling crescendo. The tenderness of “Lazy Daisy” - a dubbed ballad with crooning vocals and bubbling bass - serves as the album's sunlit oasis amid darker tracks, making it one of the best tracks on Somewhere Good.
Key Points
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The best song, “Ups & Downs”, is praised for its dramatic build and operatic, eerie crescendo.
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The album's core strength is its textured, atmospheric blend of trip hop elements with folk, jazz, and glitchy electronics.
Themes
Critic's Take
On Somewhere Good Tara Clerkin Trio revel in a quietly inventive trip-pop that prizes restraint and textures, and the best tracks - the slyly surprising “Ups & Downs” and the joyous “Movin’ On” - showcase that balance perfectly. The record’s pleasures come from long, unspooling arrangements where hooks arrive late and electronics blur with live instruments, so the best songs on Somewhere Good often reward patience rather than instant gratification. Hear how “Ups & Downs” slips from piano ambience into an uncanny sample flourish, and how “Movin’ On” lets loose with dubby double-time abandon, both doing the heavy lifting of the album’s uncanny charm.
Key Points
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“Movin’ On” is the album’s most exciting moment for its playful dub energy and inventive sampling.
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The album’s core strength is restrained, textured production that lets long-form arrangements reveal surprises gradually.
Themes
Critic's Take
Tara Clerkin Trio sound like they inhabit their own Venn diagram on Somewhere Good, and the best songs keep doing double duty as mood and miniature worlds. Opener “Lake Walk” oozes out of an alternative dimension and sets the tone, while “Lazy Daisy” is the psych-speckled summer ode you keep returning to. The title track “Somewhere Good” feels like a surreal late 60s Canterbury reverie, and the finale “Movin’ On” closes with dubby excursions that send you off into infinity. These are the best tracks on Somewhere Good because they crystallise the record's hush-and-swell logic, the hypnotic repetition that makes it reveal itself over many listens.
Key Points
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The title track “Somewhere Good” stands out for its arresting, surreal quality that crystallises the album's identity.
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The album's core strengths are its singular sonic identity, hypnotic repetition, and seamless blending of jazz, dub and psych-pop elements.
Themes
Critic's Take
In a voice that relishes subtle, genre-leaping detail, Tara Clerkin Trio make Somewhere Good feel like a small revelation, with “Lazy Daisy” and “Somewhere Good” standing out for their mood and craft. The reviewer lingers over the woozy trip-hop shimmer of “Lazy Daisy”, and praises the melodica-enriched title track for its unstoppable melancholy and fresh take on funkiness. There is the same careful ear for texture in “Ups & Downs”, where a lopsided piano-clarinet dialogue blooms into unexpected minimalist beats. Overall the best tracks on Somewhere Good are those that balance dense detail with hypnotic space, revealing the album’s uncanny ability to surprise without sounding disjointed.
Key Points
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The best song(s) balance hypnotic repetition with dense, textured detail, notably “Lazy Daisy”.
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The album’s core strengths are its genre-blending experimentation and richly arranged, emotionally resonant songwriting.
Themes
Critic's Take
Tara Clerkin Trio make an album that refracts memory into something eerily new on Somewhere Good, and the best songs prove the point. The opener “Lake Walk” feels like pressing start on a half-remembered videogame, its Space Echo and clarinet sketching a dreamscape that hooks you immediately. “Lazy Daisy” suspends time with unhurried vocals and a hazy dub bassline, making it one of the best tracks on Somewhere Good for its lullaby-daydream chorus. The title track “Somewhere Good” is the emotional centre, looping piano and vibraphone turning hypnotic and cementing its place among the album's top moments.
Key Points
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The best song, "Lake Walk", hooks the listener with an 8-bit, dreamlike opening that defines the album's tone.
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The album's strengths are its dreamlike soundscapes, blending jazz-folk, avant-pop and trip-hop into a nostalgic but fresh voice.
