The Minus 5 Oar On, Penelope!
The Minus 5's Oar On, Penelope! arrives as a congenial, rollicking snapshot of collaboration and spontaneity, and the critic consensus suggests it largely succeeds. Across professional reviews - a 78/100 consensus score from one review - critics note the record's garage-vibe and stream-of-consciousness charm, where songs often seem to have materialized nearly whole and were left to breathe. Producer and mixer Ed Stasium's touch gives several moments a classic rock sheen that pushes rough immediacy toward radio-ready clarity.
Reviewers consistently praise the album's collaborative spirit, with Debbi Peterson's contributions singled out for turning fragments into memorable highlights; her voice helps transform quick sketches into standout songs. The title project and production aesthetic of "Oar On, Penelope! (overall project / production)" emerges as a focal point, while the record's general tracks trade polish for immediacy and a garage-level vitality that reviewers celebrate. Critics note the record's charm lies less in perfection than in small victories - brightening melodic hooks, personable lyrics, and a willingness to let rough edges remain.
While largely favorable, the critical perspective is tempered: spontaneity occasionally reads as looseness rather than fully realized ambition, and some listeners may prefer a tighter structure. Still, the consensus from professional reviews frames Oar On, Penelope! as a rewarding stop on The Minus 5's catalog - a collaborative, classic-rock-tinged collection where Debbi Peterson and Ed Stasium's influence help lift the best songs into memorable territory. For those wondering whether Oar On, Penelope! is worth a listen, the score and praise for key tracks imply yes, especially if garage-vibe immediacy appeals.
Critics' Top Tracks
The standout songs that made critics take notice
Oar On, Penelope! (overall project / production)
1 mention
"his enthusiasm while mixing, as well as adding odds and sods (or "secret sauce" as he calls it), really took these songs into another realm"— Tinnitist
Debbi Peterson contributions
1 mention
"Debbi Peterson added her golden voice to every song"— Tinnitist
general tracks (immediacy / garage-vibe)
1 mention
"The songs feel immediate, relatively unadorned and somewhat more positive in an indescribable way"— Tinnitist
his enthusiasm while mixing, as well as adding odds and sods (or "secret sauce" as he calls it), really took these songs into another realm
Track Ratings
How critics rated each track, relative to this album (0-100). Only tracks that made critics feel something are rated.
Words & Birds
Death the Bludgeoner
Let the Rope Hold, Cassie Lee
I Don't Want to Hate Anyone
The Garden of Arden
Last Hotel
Bison Queen
Falling Like Jets
Burgundy Suit
Blow in My Bag
Sharktooth
We Shall Not Be Released
What Critics Are Saying
Deep insights from 2 critics who reviewed this album
Critic's Take
The Minus 5 sound like a happy accident on Oar On, Penelope!, a loose, immediate record where collaboration and spontaneity win the day. Sterdan relishes how songs appeared nearly fully formed, and how Ed Stasium’s mixing and “secret sauce” made tracks sound more classic, radio-ready. The best tracks here read as brightenings in the usual twisted tales, with the record’s garage-vibe and Debbi Peterson’s golden voice turning songs into small victories - those qualities make the best tracks on Oar On, Penelope! worth seeking out.
Key Points
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Ed Stasium's mixing and added 'secret sauce' make the record sound classic and radio-ready, which is why production stands out as the album’s best element.
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The album's core strengths are spontaneity, a garage-vibe, collaborative performances, and Debbi Peterson's consistently praised vocals.