Comparison answer surface The Black Keys discography

No Rain, No Flowers vs Peaches!

Peaches! currently leads No Rain, No Flowers in Chorus's The Black Keys critic-consensus view.

No Rain, No Flowers sits at 70/100 across 9 reviews, while Peaches! sits at 79/100 across 7 reviews. No Rain, No Flowers has the deeper review sample right now. Consensus is tighter around Peaches!, which suggests critics are landing in a narrower range. Use this comparison to see where the stronger critic favorite sits against the adjacent discography benchmark.

Score Gap
9
points on Chorus's 0-100 scale
Review Gap
2
reviews separating the current samples
Tighter Consensus
Peaches!
lower spread means critics are clustering more tightly
No Rain, No Flowers by The Black Keys
Established consensus More reviews

No Rain, No Flowers

The Black Keys

ChoruScore
70
Reviews
9
Confidence 89%
Sources 10
Range 54-80
Spread 8.1
Chorus Call
Mostly positive consensus

The Black Keys's No Rain, No Flowers arrives as a sunlit, radio-ready collection that balances polished pop instincts with the duo's retained blues-rock muscle. Critics agree the record leans into optimism and resilience after personal turmoil, and its best songs - notably “Man On A Mission”, “A Little Too High” and “D

Primary Praise

The Night Before is best for turning bleak lyrics into effervescent groove-rock that feels celebratory.

Primary Criticism

The album’s strength is occasional retro-flavored grooves, but overall it feels muted and uneven.

Standout Tracks
Baby Girl Man On A Mission A Little Too High
Source Spread
54 · Pitchfork 80 · Classic Rock Magazine
Peaches! by The Black Keys
Established consensus Higher score Higher confidence Tighter consensus

Peaches!

The Black Keys

ChoruScore
79
Reviews
7
Confidence 90%
Sources 7
Range 70-80
Spread 3.5
Chorus Call
Broadly positive consensus

The Black Keys' Peaches! lands as a raw, back-to-basics statement that foregrounds garage-blues energy and band camaraderie, and across professional reviews critics generally welcome the return. Earning a 78.57/100 consensus score from 7 professional reviews, the record emphasizes live-in-the-room urgency and improvisa

Primary Praise

The best song, "Tomorrow Night", stands out for its braggadocious guitar solo and is named the standout track.

Primary Criticism

The best song, 'Nobody But You Baby', stands out for its mystical swagger and particularly deep groove.

Standout Tracks
You Got to Lose Tomorrow Night Nobody But You Baby
Source Spread
70 · Rolling Stone 80 · Far Out Magazine