Even the Forest Hums: Ukrainian Sonic Archives 1971-1996 vs Why Don't You Smile Now: Lou Reed at Pickwick Records 1964-1965
Even the Forest Hums: Ukrainian Sonic Archives 1971-1996 currently leads Why Don't You Smile Now: Lou Reed at Pickwick Records 1964-1965 in Chorus's Various Artists critic-consensus view.
Even the Forest Hums: Ukrainian Sonic Archives 1971-1996 sits at 84/100 across 3 reviews, while Why Don't You Smile Now: Lou Reed at Pickwick Records 1964-1965 sits at 80/100 across 1 reviews. Even the Forest Hums: Ukrainian Sonic Archives 1971-1996 has the deeper review sample right now. Use this comparison to see where the stronger critic favorite sits against the adjacent discography benchmark.
Even the Forest Hums: Ukrainian Sonic Archives 1971-1996
Various Artists
Consensus is still forming across 3 professional reviews. Various Artists' Even the Forest Hums: Ukrainian Sonic Archives 1971-1996 opens as both a sonic excavation and a curated testament to resilience, earning clear praise from critics for its breadth and archival ambition. Across three professional reviews the compilation gathered an 84.33/100 consensus score, with writers
The best song(s) stand out for blending local folk roots with global genres, making them emblematic of Ukrainian creative resilience.
No dominant criticism has separated itself from the current review sample yet.
Why Don't You Smile Now: Lou Reed at Pickwick Records 1964-1965
Various Artists
Early read based on 1 professional reviews. Various Artists's Why Don't You Smile Now: Lou Reed at Pickwick Records 1964-1965 reopens an overlooked chapter of Lou Reed's early career with a scrappy, revealing collection that critics say maps the proto-Velvets sparks beneath his later work. Mojo's appraisal frames the compilation as both playful and instructive,
“The Ostrich” is the best track for its astonishing bedlam and experimental guitar that prefigures Reed’s Velvet Underground work.
No dominant criticism has separated itself from the current review sample yet.